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PostPosted: Thu Jul 10, 2014 2:10 pm 
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it doesnt make sense to me either.
i know it is more involved, but it is almost the publishers signing a paper saying "go ahead, you do the work and pay us for the privilage".
manus like SC get musicians, re-record the songs, make the graphics, then whatever distribution method was agreed upon, and the rights holders get paid for doing nothing.
it makes no sense to me why they would not want to get paid for doing nothing.

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PostPosted: Fri Jul 11, 2014 3:40 am 
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chrisavis wrote:

One could also assume (since that is what you are doing) that Sound Choice ordered a large amount of product because 1) Larger runs reduce the price per item cost and increase the profit margin on the individual sales, 2) that Sound Choice knows they have a desirable product (which the market has proven is true) and thus wanted to ensure they had plenty of it on hand for sale, 3) Sound Choice was being optimistic and simply ordered a lot.

8) Despite the reason the amount ordered was ordered Chris, by Jim's own admission they are sitting on a huge inventory of unsold product. This product I assume has been paid for and is carried on the books as unsold inventory. To recover the cost they have to sell that product. SC is no longer in the production end of the business, currently
they are the legal dept and sales end of the business. The two work hand in hand since "suits drive sales". Since most hosts legal or illegal who carry SC product already have what they need, with the possible exception of a few hosts expanding their business or starting out new. The only way SC is going to recover it's investment in the unsold inventory is this legal process, that is why they have years of supply, it will take that long to unload it, at their present rate of success, in the courtroom.



The Lone Ranger wrote:
Besides the legal recovery and the sales that it is supposed to generate, what other sources of income does SC have?


Don't most karaoke companies sell just one thing - karaoke songs?

8) While it is true that what they are selling is karaoke songs, they only have one product delivery system the disc, which it has been pointed out is outdated. The reason Jim floated the idea of possible downloads was to have another stream of revenue become available to the company coffers. The current recovery process is too slow and the returns have not been what SC or Jim had hoped for. Another possible stream of new revenue for the same underlying product would be to join Cloud and obtain money that way. I can only believe that SC is cash strapped and needs revenues increased to try and at least create the illusion they are still in business.

The Lone Ranger wrote:
If they license one GEM series they are technically profiting Chris, evidently they have not made enough to resume production. I know they have other legal problems with licensing, sooner or later they will run out of product Chris, then what?


What legal problems do they have with licensing? I believe James has posted here that it is primarily cost and control (who owns the final recordings) issues they are dealing with, not legal blocks to going back into production.

The Lone Ranger wrote:
P.S. Just one question if you weren't sure about the amount of profitability concerning SC, why did you bring it up in the first place?


This was your 3rd question btw.

I am quite sure they are profiting. Again, I said, "They are profiting from the sale of GEMs.". That is a very simple statement and doesn't leave much to the imagination (even though you somehow imagined that I actually said they were making a "brisk" profit.) I didn't guess at how much. I didn't express any doubt. It is you that isn't sure of how much so you are asking a bunch of questions about it.


8) You are sure, but you really don't know do you Chris, it is an assumption in itself. I might have used the word brisk myself to be honest Chris. If I did it was because I felt that was what you were implying. It is quite plain if a company is sitting on years of unsold product sales are not brisk. They are trying to unload the product, and the only way they seem to be able to do this is by using the "suits drives sales" business model.


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PostPosted: Fri Jul 11, 2014 10:11 am 
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HarringtonLaw wrote:
JoeChartreuse wrote:
add in how they have been profiting from our industry though years out of the karaoke music production business.


I like how you lump in SC's profits from the karaoke industry as a "negative."

No one has ever been forced to buy or use SC products. If SC earned a profit from its activities, it was because its customers believed they would receive a benefit at least equal to the price paid for the products.

That's basic capitalism and basic free-market economics. If you don't like it, there are other economic systems that might be more to your liking.


Wow. You still got it.....

I was, of course, referring to the money made through suits filed without basis and received through legal stron-arm tactics as "settlements" I wasn't referring to the recycled series of disc whose legitimacy has yet to be settled in court.

Current negatives I see, such as the above, waking (and p.o.-ing) the sleeping giants - and drying up music sources, which btw, have done nothing that SC hasn't - , the product being disallowed in some venues, venues even stopping karaoke to prevent waves, causing general turbulance within the industry, etc., etc..


I was actually trying to find out what, if any, tangible positives for our industry could be attributed to SC. Please note that no one seems to believe that they have made any dent in piracy, so let's just let that one go. The only one that has been offered is that SC is willing to sell GEM sets. Even I would say that it's a quality product, but so what? What is the contribution? Karaoke companies are SUPPOSED to sell a quality licensed product, and make money in the process. That is their FUNCTION.

SC now produces nothing, yet makes money as described above. Balancing the current negatives against the current singular "positive ", I can only form the opinion that SC's relationship to our industry is not positive, nor at this point even symbiotic. It is parasitical.

If SC were to produce new product, at least they could claim that -being a quality source of NEW MUSIC - as a contribution to the industry, but that is not the case.

When I predicted their awakening of angry giants years ago, I also said that it wouldn't matter to SC because they are no longer players in the industry so they don't care. I think that this has also proven true.

For the record: If tomorrow SC would sit down, shut up, and start producing and selling new tracks, I would be a happy Karaoke Host. We will always need multiple sources and SC made a quality product. I don't pray to it like some here, and my show doesn't depend on it, but I would use it if the venues allowed it and SC foreswore their current business model.

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Last edited by JoeChartreuse on Fri Jul 11, 2014 10:40 am, edited 2 times in total.

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PostPosted: Fri Jul 11, 2014 10:36 am 
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JoeChartreuse wrote:
waking (and p.o.-ing) the sleeping giants


I don't buy the whole "sleeping giants" theory as if they had somehow forgotten about Karaoke. If there is money to be made in the lean times of the music biz, they know about it.


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PostPosted: Fri Jul 11, 2014 10:49 am 
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Bazza wrote:
JoeChartreuse wrote:
waking (and p.o.-ing) the sleeping giants


I don't buy the whole "sleeping giants" theory as if they had somehow forgotten about Karaoke. If there is money to be made in the lean times of the music biz, they know about it.


Bazza, I don't neccesarily disagree with you in regard to money. However, I don't beleve that it was the smell of money that awoke them, but rather SC's poaching and stomping around in legal territory that would seem to me rightfully that of the giants. THEY own the music, THEY own the lyrics, and - to the negative - they kind of own the artists.

My guess is that they feel if someone should be making any legal noise in the karaoke industry, it should be them - not some mini-corp IP troll with nothing to work with but a picture attached to THEIR work.

One could have a legal disagreement with that premise (though I don't think the disagreement would be valid) but one could certainly understand why they might feel that way.

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PostPosted: Fri Jul 11, 2014 10:59 am 
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JoeChartreuse wrote:
not some mini-corp IP troll with nothing to work with but a picture attached to [the music publishers'] work.


Yeah, SC had nothing at all to do with making the tracks. They just stuck the logo on and went to town suing.

:roll:

(In case anyone had any doubt, that smiley is rolling its eyes. It pitifully underperforms the level of eye sprain I incurred in real life, reading what Joe said above.)


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PostPosted: Fri Jul 11, 2014 11:34 am 
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So Joe, all the other karaoke companies, past and present, just slapped their logo on a disc and just sold them? C'mon man, try to get real.

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PostPosted: Fri Jul 11, 2014 12:56 pm 
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timberlea wrote:
So Joe, all the other karaoke companies, past and present, just slapped their logo on a disc and just sold them? C'mon man, try to get real.
There were quite a few that stole someone else's musical work (recreation) and removed all traces of trademarks altogether, such as Hot Stuff or Karaoke Hits (just 2 out of several others).


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PostPosted: Fri Jul 11, 2014 7:18 pm 
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Nu Tech has several tracks that they copped from other manus, including SC

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PostPosted: Fri Jul 11, 2014 9:31 pm 
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Yeah, there were some but not SC, CB, ZM, SF, PS, and the rest that actually produced discs made by them.

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PostPosted: Sat Jul 12, 2014 3:48 am 
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HarringtonLaw wrote:
JoeChartreuse wrote:
not some mini-corp IP troll with nothing to work with but a picture attached to [the music publishers'] work.


Yeah, SC had nothing at all to do with making the tracks. They just stuck the logo on and went to town suing.

:roll:

(In case anyone had any doubt, that smiley is rolling its eyes. It pitifully underperforms the level of eye sprain I incurred in real life, reading what Joe said above.)


8) Now I'm a little confused Jim didn't you say that SC does not sue under the copyright law. Rather it sues for trademark infringement, the logo they just stuck on the finished product. If you can sue for content as well under the copyright law, why don't you? You don't because you don't own the underlying material the product is based on. :roll: :roll: :roll:


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PostPosted: Sat Jul 12, 2014 12:52 pm 
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The Lone Ranger wrote:
8) Now I'm a little confused Jim didn't you say that SC does not sue under the copyright law.


Yes, you're confused.

The Lone Ranger wrote:
Rather it sues for trademark infringement, the logo they just stuck on the finished product.


You don't seem to understand how trademarks work.

Among other things, trademark infringement involves placing the trademark on goods (or using it in connection with services). That means there are two rules:

No goods or services = no trademark

No goods or services = no trademark infringement

This not, and has never been, about just the logo. It's the logo, placed on goods that SC did not make, and used in connection with services that SC did not endorse.

The Lone Ranger wrote:
If you can sue for content as well under the copyright law, why don't you? You don't because you don't own the underlying material the product is based on. :roll: :roll: :roll:


SC does own the copyright in about 100 tracks that were produced after the catalog sale. We could sue for infringement of those tracks if we wanted. But we can accomplish everything we need to with trademark infringement, which is much easier to prove. So why create more work? Just so you'll have one fewer thing to complain about? No thanks.


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PostPosted: Sat Jul 12, 2014 2:18 pm 
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8) At the end of the day Jim all you are going to recover is the fair retail value of the unauthorized product. That is why this whole legal scam is going to ultimately fail. That is why several years from now you and Kurt will still be sitting of several years worth of unsold GEM inventory. Everyday it isn't sold is another day you have to carry it on the books. Just like unsold car inventory is carried by the dealership until it finds a buyer.


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PostPosted: Sat Jul 12, 2014 2:58 pm 
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Lone, have you even read the Act? It's more than just the "retail value".

http://www.bitlaw.com/source/15usc/1117.html

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PostPosted: Sun Jul 13, 2014 1:23 am 
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Lonman wrote:
Nu Tech has several tracks that they copped from other manus, including SC

Some of the OLD Nutechs were good. They used to have a couple really good Zeppelin songs. I used to do I Can't Quit You, Babe, and You Shook Me, from them. Those versions were actually pretty good.

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PostPosted: Sun Jul 13, 2014 4:20 am 
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timberlea wrote:
Lone, have you even read the Act? It's more than just the "retail value".

http://www.bitlaw.com/source/15usc/1117.html


8) This is a civil matter tim that is the way SC has framed their suits. When you are dealing with civil suits you are always looking at damages, how was the plaintiff actually hurt and assigning a dollar amount to the injuries in question. Basically SC is suing for lost sales, that boils down to the fair retail value of the product. In both the Panama City case and the settlements in California the value attached has been around $5,000.00. Jim appealed this award and lost in the case of Panama City. In California SC's agents collected the money and never paid SC their cut. Now SC is having to sue their own collectors, how much of that money will they ever see?

If SC lucked out and managed to squeeze a few extra dollars from defendants in the early part of this legal process. Those days of easy pickings are over. That is why SC is so willing to settle for licensing of their GEM product. Like Jim says they are sitting on years of unsold inventory, and the only way they are going to move it, is to use the suits drives sales business model.


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PostPosted: Sun Jul 13, 2014 6:05 am 
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Boy Lone, you sure do like to try to twist things.

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PostPosted: Sun Jul 13, 2014 8:41 am 
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The Lone Ranger wrote:
timberlea wrote:
Lone, have you even read the Act? It's more than just the "retail value".

http://www.bitlaw.com/source/15usc/1117.html


8) This is a civil matter tim that is the way SC has framed their suits. When you are dealing with civil suits you are always looking at damages, how was the plaintiff actually hurt and assigning a dollar amount to the injuries in question. Basically SC is suing for lost sales, that boils down to the fair retail value of the product. In both the Panama City case and the settlements in California the value attached has been around $5,000.00. Jim appealed this award and lost in the case of Panama City. In California SC's agents collected the money and never paid SC their cut. Now SC is having to sue their own collectors, how much of that money will they ever see?

If SC lucked out and managed to squeeze a few extra dollars from defendants in the early part of this legal process. Those days of easy pickings are over. That is why SC is so willing to settle for licensing of their GEM product. Like Jim says they are sitting on years of unsold inventory, and the only way they are going to move it, is to use the suits drives sales business model.

The lawsuits didn't factor in my purchasing the GEM Series. I just wanted a full library of the best tracks in the industry.

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PostPosted: Sun Jul 13, 2014 9:34 am 
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8) How is that working for you Danny, have you gotten anymore gigs because of your SC library? The last time I heard you were still hunting for a gig willing to pay you your $50.00 per hour minimum.


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PostPosted: Sun Jul 13, 2014 9:37 am 
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timberlea wrote:
Boy Lone, you sure do like to try to twist things.



8) Like the Bard on Avon once wrote "a plain tale is best told plainly".


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