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PostPosted: Tue Apr 16, 2013 11:48 am 
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BruceFan4Life wrote:
If you don't submit to their demand for the audit; you are then threatened with the law suit for non compliance to their demand for the audit.

Let's not try to bullsh*t each other.


Then don't copy the discs as the warning states that is printed on each disc as well as on the jewel case sleeve that you can see through the shrink wrap.

No BS here, just straight forward and simple. If you copy, you might get sued. Remember, the karaoke graphics with the music is deemed a motion picture.

No matter how much you complain about it, the disc owner has absolutely no right under the law, without permission, to copy the track embedded on the disc. Sorry. :(

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PostPosted: Tue Apr 16, 2013 11:57 am 
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Insane KJ wrote:
No matter how much you complain about it, the disc owner has absolutely no right under the law, without permission, to copy the track embedded on the disc. Sorry. :(


For the record - I do not agree with this statement.

-Chris

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PostPosted: Tue Apr 16, 2013 12:05 pm 
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chrisavis wrote:
Insane KJ wrote:
No matter how much you complain about it, the disc owner has absolutely no right under the law, without permission, to copy the track embedded on the disc. Sorry. :(


For the record - I do not agree with this statement.

-Chris


I meant to say to use in a commercial setting.

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PostPosted: Tue Apr 16, 2013 12:36 pm 
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Insane KJ wrote:
chrisavis wrote:
Insane KJ wrote:
No matter how much you complain about it, the disc owner has absolutely no right under the law, without permission, to copy the track embedded on the disc. Sorry. :(


For the record - I do not agree with this statement.

-Chris


I meant to say to use in a commercial setting.


I still do not agree, at least where SC is concerned. I feel strongly THAT copyright belongs to the original copyright holder and SC does not have authority to authorize or not authorize copies. A huge problem here is SC says they have successfully defeated pirates in court. What they really have done is won some cases on a weird Trademark argument. And the reason for that is?


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PostPosted: Tue Apr 16, 2013 12:54 pm 
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MrBoo wrote:
Insane KJ wrote:
chrisavis wrote:
Insane KJ wrote:
No matter how much you complain about it, the disc owner has absolutely no right under the law, without permission, to copy the track embedded on the disc. Sorry. :(


For the record - I do not agree with this statement.

-Chris


I meant to say to use in a commercial setting.


I feel strongly THAT copyright belongs to the original copyright holder and SC does not have authority to authorize or not authorize copies.


You are right, they would have to enlist Stingray Music, who holds the original copyright to most SC renditions. However, there is a stock of certain song renditions that Slep-Tone still holds the original copyright and would have every authority on those renditions.

Perhaps copyright infringement will be the next phase of SC lawsuits, especially against those who remove the graphics.

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PostPosted: Tue Apr 16, 2013 1:43 pm 
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I don't care who holds the copyright. I believe I should be able to make a back up of a digital work so I can protect the original. I believe I should be able to use the backup in place of the original to protect the original as well. I don't believe I should necessarily have to get permission to do either of those things.

But I also believe I should try to adhere to company policies when reasonable. I find Sound Choice policy to be more than fair and reasonable as it pertains to media shifting so I adhere with their policy. I believe it serves a purpose and effective or not it raises awareness of piracy while shining a spotlight on pirates.

I feel it is a reasonable compromise and I am happy with it.

-Chris

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PostPosted: Tue Apr 16, 2013 2:20 pm 
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Okay Chris. I agree the law needs to be changed. Unfortunately the law seems to says you can't make a copy under fair use for commercial purposes.

Back in 2009, everyone hoped a precedent would be set by now. Perhaps more trials will get us closer to that. Heaven knows the Slep-Tone opposition is trying their best. Expressway Music in New York for one.

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PostPosted: Tue Apr 16, 2013 6:24 pm 
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BruceFan4Life wrote:
They why is there only ONE company insisting on these audits? Or as some judges are now calling them: SHAKEDOWN LAWSUITS?


ONE judge, as opposed to a couple of dozen other judges who have seen no problem with these suits at all, and who have routinely denied motions to dismiss, granted default judgments, and issued verdicts for Slep-Tone at trial.


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PostPosted: Tue Apr 16, 2013 6:42 pm 
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BruceFan4Life wrote:
The audit and the law suit are two sides of the same coin. If you don't submit to their demand for the audit; you are then threatened with the law suit for non compliance to their demand for the audit.


We don't demand that anyone be audited. The audit and certification are required to obtain SC's permission to conduct a media shift of the contents of lawful original CDs. If you choose not to be audited, you run the risk of being sued for infringement.

BruceFan4Life wrote:
Let's not try to bullsh*t each other. Their business plan is to force every one of their customers to at least pay them $150 to avoid being sued.


I think you might find that difficult to adhere to.

SC's "business plan" is (a) to sell music and (b) to use the legal system to make certain that the people who use SC's music have paid for it. That is fully legitimate and frankly kind of ordinary. The charge for the audit is to cover a portion of the costs associated with conducting the audit. If you don't want to pay for an audit, use the original CDs you purchased.

BruceFan4Life wrote:
If you can't pass the audit, they basically say that they will allow you to use their product for a small charge of $5,000 to avoid the possibilty of losing your shirt in a court room. Their viability is based purely on people's fear of losing everything so they settle for buying a GEM Series.


The first sentence is factually incorrect. You may have SC confused with Stellar (Pop Hits Monthly), which allows people to pay a fee for the use of music from pre-2007 that the KJ did not originally purchase.

SC never allows operators to use music for which they do not own (or license) discs. If you fail an audit, you must destroy the tracks you do not have discs for, at a minimum. That may leave you with some material (if you have discs) or no or very little material (if you don't). Regardless, you have to pay something to address the past infringement, and if you don't have enough legal material to go forward, you have to acquire it.

If you have 1:1 correspondence, then an audit is the way to go.

If you don't, you're a pirate. Why would anyone have a problem with a person being sued who doesn't have 1:1 correspondence?


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PostPosted: Tue Apr 16, 2013 6:50 pm 
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MrBoo wrote:
Insane KJ wrote:
chrisavis wrote:
Insane KJ wrote:
No matter how much you complain about it, the disc owner has absolutely no right under the law, without permission, to copy the track embedded on the disc. Sorry. :(


For the record - I do not agree with this statement.

-Chris


I meant to say to use in a commercial setting.


I still do not agree, at least where SC is concerned. I feel strongly THAT copyright belongs to the original copyright holder and SC does not have authority to authorize or not authorize copies. A huge problem here is SC says they have successfully defeated pirates in court. What they really have done is won some cases on a weird Trademark argument. And the reason for that is?


There is nothing "weird" about our trademark claims. Piracy of trademarks (counterfeiting being the technical term) is a huge problem--just ask companies like Gucci, Louis Vuitton, and Rolex, or the major sports leagues and their teams, or any touring band. We sue for trademark infringement because it is a very clean cause of action. Every one of our tracks and discs is marked with the trademarks, which we conclusively own and have the right to control, and it is very easy to spot the trademark in use at a show. Our trademark case is pretty much open-and-shut, so there is no need to drag copyright into it.


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PostPosted: Tue Apr 16, 2013 11:25 pm 
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chrisavis wrote:
Insane KJ wrote:
No matter how much you complain about it, the disc owner has absolutely no right under the law, without permission, to copy the track embedded on the disc. Sorry. :(


For the record - I do not agree with this statement.

-Chris


I'm with you, at the very least in regard to media to same media backup. This has been graven in stone since the '90s- a backup for same site use is perfectly legal.

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PostPosted: Tue Apr 16, 2013 11:37 pm 
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HarringtonLaw wrote:
[SC's "business plan" is (a) to sell music


As far as income through music being the priority, I'm fairly certain that SC's MAIN source of income these days is through litigation and "settlements.

As far as upholding "legality", I have a quote from Mr. Harrington from a recent court case, and my comments:

"Mr. Harrington admitted that he did not conduct a pre-filing investigation because “[w]e don’t need to observe infringement in order for infringement to occur and be actionable” and “…the fact of observation, to us, is irrelevant.”

In other words, he ADMITTED that there was no investigation, and ON TOP OF THAT stated that they do not need to observe any wrongdoing to sue! ( they DO, but he is clinging to a dream...)



In other words- as I have stated time and time again, SC is targeting ANYONE WHO MEDIA SHIFTS, and doesn't know or care if they are a customer or not!

There is no arguement to this- it just IS.

So much for worrying about legalities, or :P "fighting piracy :P :lol: :lol: :lol:

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PostPosted: Wed Apr 17, 2013 4:02 am 
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That quote is taken grossly out of context by the attorney who wrote it. I did not "admit" any such thing. My point was that observation of the infringement is not an element of the offense, so it is not necessary for us to allege that we observed the infringement in order to state a claim for trademark infringement. I was speaking in response to a complaint that we had removed an allegation from the complaint about an investigator having observed the infringement.

We did conduct a pre-suit investigation in that case, as we do in every case.


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PostPosted: Wed Apr 17, 2013 4:30 am 
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HarringtonLaw wrote:
BruceFan4Life wrote:
They why is there only ONE company insisting on these audits? Or as some judges are now calling them: SHAKEDOWN LAWSUITS?


ONE judge, as opposed to a couple of dozen other judges who have seen no problem with these suits at all, and who have routinely denied motions to dismiss, granted default judgments, and issued verdicts for Slep-Tone at trial.


8) dozens of other judges really James, with the mass filings of suits is it really dozens of other judges? As time goes by and more of these suits are contested and SC is counter sued, is this whole legal process gambit going to pay off? In the meantime each day that passes your label becomes more toxic and hosts and venues decide not to use your product. In the long run I don't see how this is a winning situation for Kurt and company. Maybe it is time to look once again the simple fee to shift minus the audit, in order to recover money for SC James. Have a legal day.


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PostPosted: Wed Apr 17, 2013 4:47 am 
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HarringtonLaw wrote:
...SC never allows operators to use music for which they do not own (or license) discs. If you fail an audit, you must destroy the tracks you do not have discs for, at a minimum. That may leave you with some material (if you have discs) or no or very little material (if you don't). Regardless, you have to pay something to address the past infringement, and if you don't have enough legal material to go forward, you have to acquire it...



Quote:
cueball
Post subject: Re: Introduction
Posted: Thu Aug 18, 2011 7:24 pm



cueball wrote:
How do you go about enforcing the destruction of the counterfeit material? Also, is this just SC material that you are referring to, or every single Manufacturer's brand (Music Maestro, All Hits, Priddis, Pioneer, DK, Dangerous, Lost Classic, Back Stage Karaoke, Performance Tracks, Top Hits Monthly (Panorama Music, which is now out of the Karaoke business), JVC, Standing Ovation, Sound Images, etc...) that a KJ may have stored in his/her HD that he/she doesn't have a disc to match it up to?

HarringtonLaw wrote:
We only enforce for SC, although we recommend that settling defendants get legal with all manufacturers. Enforcement is through a contractual agreement, with inspection to verify.

Cueball wrote:
And where do all of these out-of-the-business manufacturers come into play in all of this (I named quite a few of them above)?

So, if I am understanding this correctly, you ONLY care about SC's product, and NOTHING else. Once you audit a KJ who has 120K plus songs loaded illegally on a Harddrive, all you oversee is that the SC material in question is deleted (for argument's sake, let's say that's about 40K songs). Now the said "Pirate" agrees to purchase/lease SC's GEM series (consisting of about 6K songs), and he still has 80K plus songs left on his Harddrive. Am I missing something???????????

HarringtonLaw wrote:
To the contrary, we care a great deal about the user deleting unlicensed material, and we lean on settling defendants to delete unlicensed material, but we don't have standing to require that in court.

Cueball wrote:
In other words, you can't make them delete anything from their Hardrives except for SC's songs.


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PostPosted: Wed Apr 17, 2013 5:47 am 
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Cue - I think you know full well that Harrington is referring only to SC material.

-Chris

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PostPosted: Wed Apr 17, 2013 5:58 am 
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Paradigm Karaoke wrote:
dave wrote:
It would be nice to hear about more positive results around the country.Most areas still think nothing will improve.What gets Sound choice into an area?
Would an offer of a plane ticket and hotel do it?
Party for a week?
They already have hundreds of leads from every corner of the country--so what else does it take.?


first: pay for and conduct an audit for certification
second: report pirates to SC
third: buy safe harbor packets from SC
fourth: take those packets to venues to help inform them
fifth: duck and run when the owners throw things
sixth: bring the packets to fellow hosts to help inform them
seventh: walk away as they laugh at you
eighth: repeat report of pirates to SC
ninth: repeat entire process for two years with 0 venues or hosts caring or obtaining new shows
tenth: remove all mention of SC in advertising and reap rewards of more new shows than you can handle.

worked for me.



Yep, In Quincy, Illinois the only kjs doing gigs are the ones not certified by SC or mentioning SC. And some doing shows for 20.00 a night.

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PostPosted: Wed Apr 17, 2013 6:01 am 
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chrisavis wrote:
Cue - I think you know full well that Harrington is referring only to SC material.

-Chris


And your point is?????????????

I think I clearly pointed out what you said in your comment to me just now. Please note that the series of quotes I gave even show that I was establishing SC is only looking out for SC, and nothing more.

The point I was trying to make, is that SC isn't really doing anything to help out the rest of us KJs. All they are doing is taking a pirate to court, and them convincing them to get the GEM series to become legal (in SC's eyes only). Then SC has their case closed against said pirate, and SC claims they have now "LEVELED THE PLAYING FIELD," while they (the pirates) can continue to run their shows using OTHER pirated material.

OK Chris, NOW tell me how SC is helping your fellow KJ (and please don't tell me that you get free advertising on their website (which you paid for when you got your audit) because you are now Certified by them).


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PostPosted: Wed Apr 17, 2013 6:28 am 
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cueball wrote:
chrisavis wrote:
Cue - I think you know full well that Harrington is referring only to SC material.

-Chris


And your point is?????????????

I think I clearly pointed out what you said in your comment to me just now. Please note that the series of quotes I gave even show that I was establishing SC is only looking out for SC, and nothing more.

The point I was trying to make, is that SC isn't really doing anything to help out the rest of us KJs. All they are doing is taking a pirate to court, and them convincing them to get the GEM series to become legal (in SC's eyes only). Then SC has their case closed against said pirate, and SC claims they have now "LEVELED THE PLAYING FIELD," while they (the pirates) can continue to run their shows using OTHER pirated material.

I misunderstood the intent of your post. But now that I do understand it is simple enough to point out that all SC is allowed to enforce is their own material. They can't enforce the rights of the other manufacturers any more than Microsoft can enforce the rights of Apple.

We all know that at one point the manufacturers at least spoke to each other about processes and there were joint audits very early on in the process. They then went their separate ways and enacted unique policies.

Right or wrong, good or bad, Sound Choice has maintained course and kept pressure on folks about the material they are able to control and enforce.

-Chris

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PostPosted: Wed Apr 17, 2013 8:44 am 
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chrisavis wrote:
I misunderstood the intent of your post. But now that I do understand it is simple enough to point out that all SC is allowed to enforce is their own material. They can't enforce the rights of the other manufacturers any more than Microsoft can enforce the rights of Apple.

I could have sworn I just said that in my post too...
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HarringtonLaw wrote:
To the contrary, we care a great deal about the user deleting unlicensed material, and we lean on settling defendants to delete unlicensed material, but we don't have standing to require that in court.


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