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PostPosted: Fri Sep 08, 2006 12:28 pm 
Not to mention on some of the songs with a lllloooooonnnnnggggg outro you can fade it out to cut down on the song length.


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PostPosted: Fri Sep 08, 2006 12:35 pm 
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knightshow @ Fri Sep 08, 2006 2:07 pm wrote:
Oh I believe it Topher!

When I started out, I was at a show that was 7 nights a week. Started right at 9pm... went to 2:45AM, and I tell ya, there were nights when we did 70 singers!

SOME of the karaoke classics are 2:30 to 3:00, and that DOES help alot in the amount of singers an hour. I averaged 14-15 usually...

until they came up and wanted to do Bohemian Rhapsody, or Stairway! LOL! "One Bourbon" would kill it. Okay, we're at 9 singers this ROTATION! LOL!


If i have someone who wants to sing one of the well known long songs like One Bourbon or American pie. I tell them they can sing it, but I'll have to fade it out after 4 or 5 minutes because it is to long. Never had anyone not like the idea. They hate how long those songs are too.

Now depending on the person and song if there is a long musical break in the middle of the song I speed the music up to get through it quicker. Usually the person singing the song will ask me to do it because it is very awkward to stand there 2 minutes waiting to sing and it helps me out by shortening the song.

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PostPosted: Fri Sep 08, 2006 12:36 pm 
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My personal opinion is that you fill only the dead air time in other words just the time when a singer is getting ready to come up or picking a song or if no one else wants to sing, but cut the filler out when the singers are ready.

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PostPosted: Fri Sep 08, 2006 12:42 pm 
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There are also lots of songs that are under the 4 minute mark as well.
On average I get about 13-15 singers in per hour.  But I do call the next singer as a song is ending, if it has a long outro I use that as my transition music instead of fading into my regular music.  Most people are up in 10-20 seconds - rarely do I get the dawdlers, but it does happen, then yes i've had 30-45 seconds for them - but again, that's rare & I just use that time to make standard bar announcements, drink specials, events, etc..., multiple players continuously cued help as well.  I don't run a cattle call rotation, so the transition music while a singer is coming to the stage is very helpful & contrary to popular belief, does not take any more time away from any singer using music in between singers - now granted if the host is playing an entire song, then yes it would take away time from singer, this is not what I do.

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PostPosted: Fri Sep 08, 2006 12:46 pm 
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When GiGi used to KJ the first time, she was part of a tag-team. They had a few nights where everyone was chomping at the bit to sing and managed to get 83 singers through in about 6 hours. They had a board with the singers names in rotation. People where always ready to jump up on the stage when it was their turn.

I could be mistaken but I think it was 83 singers from 8:00 to 1:45.

Also, it looks like I should have worded the Question in the OP differently. It never occurred to me that good KJs here might have been called names in the past or have been unduely ragged on. That was not at all my intention.

With the information being shared on this board, I honestly can't imagine any hacks actually joining this site. They would be laughed right out. You can't be here two days without learning anything beneficial to the trade.


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PostPosted: Fri Sep 08, 2006 6:32 pm 
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planet_bill @ Thu Sep 07, 2006 7:01 pm wrote:
I've done plenty of karaoke clubs though where you sing and people dance to your song. That is probably how it should be done.


I've seen that done sometimes.  In fact, I'm thinking about maybe singing some line-dance songs for karaoke sometime (like "Macarena" or "Cha-Cha Slide").  It would be fun to see how many people would get out there and dance.   :dancin:

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PostPosted: Fri Sep 08, 2006 6:48 pm 
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I have one singer who only does one song Strokin And the dance floor fills....

Dancers on the floor gives more energy to a singer than applause...

Any old rock Surfin mama, dont dance, will fill the dance floor...

7 by Prince is a favorite.

I do lost in the fifties which absolutely fills the floor...

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PostPosted: Sat Sep 09, 2006 9:25 am 
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There are two KJs in tis area that have driven me a little bonkers with the filler music.

On a recent excursion, there were at least 30, maybe as many as 40 people in the rotation.  Now, would I be wrong in saying the general consensus of the KJs on this board would be minimize the filler music and the KJ ain't singing unless it's by special request?

Well, this guy played 3 or 4 songs between each singer, and kept his place at the top of the rotation.  I was there from about 830 until last call, and I sang once.

And as for mixing, I'm not sure he knows what it is.  I think he just turns the volume up to 11.

The other guy ran filler songs more as it got later...just as he was picking up more singers.  My date that night got pretty irate at him over it...he said he was just doing a dance set.

Now, dance sets are fun...but attached to this particular place is a DANCE CLUB...through a door right near the bar.  My view, you wanna dance, don't hang out on the karaoke side!!

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PostPosted: Sat Sep 09, 2006 3:13 pm 
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When I ran a show by myself I could crank out about 17 singers per hour on a hot night. Other than that 14-15. Rich, Sharon, Chuck and I get our counts by counting slips, so we can vouch for some semblance of accuracy with our numbers.

Typically we played snippets of filler music between singers while they were entering/exiting the stage. Instrumentals are always good and we kept a CD by The Chipmunks on hand for grins. Seasonal music is great, too, during the holidays because we virtually never had anyone sing Christmas carols and such. Otherwise we tried to play oldies when most of the singers were doing country, and vice versa, to eliminate "competition". Multiple players were VITAL, of course. We had one for filler music 4 for CDG/laser discs.

A dance song and the KJ singing would signal the beginning of a new round. If the dance floor filled up completely on the dance song, we might follow it with another one. If the round got way too long we might play one halfway through (I am talking about a 50-singer rotation, here, gang). If it was that crazy we would usually skip the KJ song.

We would close the night with filler music, usually "Goodnight, Sweetheart" or something followed by whatever we liked. If the crowd was well behaved, we let the Karaoke run all the way until closing time and did not have the need for much filler at all.

It worked for that crowd. That's all I can attest to.

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PostPosted: Sat Sep 09, 2006 3:36 pm 
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I run rox which fades into fill as soon as the singer is done When I have the announce mic on the volume is ducked slightly When I talk the fill volume is zero.. When the singer picks up the mic it fades immediately to karaoke. I can actually speed up the rotation with up beat fill because the energy is high and its go go go ....There is a difference between fill and DJ....

Also people realize that I have a good DJ selection and guess who they hire when they want a combo KJ DJ party?

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PostPosted: Sat Sep 09, 2006 3:47 pm 
5 seconds between songs is long enough.   Any longer is wasting valuable singing time.    Back-to-back music is the only way.    Continuous karaoke music, never time wasting filler music.


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PostPosted: Sat Sep 09, 2006 4:04 pm 
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Dog I luvya man but did you understand my last post? Record one of your shows and see how much dead time there is....An older crowd does not want filler music A younger crowd wants the disco effect with the lights.. You cant have 1 second of silence Total noise and energy  GO GO GO!!! Fill music does not interfere with time between singers.

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PostPosted: Sat Sep 09, 2006 5:00 pm 
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karyoker @ Sat Sep 09, 2006 4:04 pm wrote:
Fill music does not interfere with time between singers.


Exactly!  And again, unless you are running cattle call karaoke where you have the next singer on the stage & ready, it's impossible to run karaoke back to back.  If that's the case, you aren't going to gain that much more at the end of the night MAYBE 1-2 singers at max.

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PostPosted: Sat Sep 09, 2006 6:47 pm 
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Filler is there just to cover the time between the last singer going back to thier seat and the next one being called up and dawdling on thier way up. No dead airtime. Only silent time is when the screen changes and the name of the song comes up and then the music starts. Other than that no dead air time. Fill songs should take no more than 30 sec to 1 minute but will vary with the SLOWNESS of the next person taking thier sweet time. The only time I actulally go to no filler is the last 45 mins of the night scrambling to get as many up a possible. Then I WILL tell them over the sound system to BE READY TO GO WHEN I CALL YOU--TIME IS SHORT. NO DAWDLING. Got to get as many up as possible before close. But that is rushing the people--but they do comply with the last rotation to get their last turn.

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PostPosted: Sat Sep 09, 2006 8:35 pm 
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The reason why Bigdog insisted that there is almost no gap between singers is that his singers sing from the table. there is no time wasted walking to the stage and there is no cattle call. before the song finish the 2nd mic is already with the next singer.

This is the bigest advantage of singing from the table/floor.

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PostPosted: Sat Sep 09, 2006 8:50 pm 
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TopherM @ Thu Sep 07, 2006 9:27 am wrote:
My show thrives on about 75% karaoke and about 25% dance music. I work in one of those bars where it is a young crowd, about 21-26 on average, and I feel it is my job to entertain the WHOLE bar and not just the karaoke singers. On any given Saturday, there are 150-200 people in the bar and about 20-30 singers. Any given singer that shows up when I start at 9:00 is going to get to sing about 4 times if they stay the whole night, and many do.

In between singers, I play about 30-45 seconds of dance music. If the dance floor fills up, I let it roll about 2 minutes, which happens about 6-8 songs a night. Even the singers say that they are glad there is some excitement while they are waiting for thier song to come up. My 1-1.5 hour rotation would be like 45 min - 1 hour if I skipped on the filler music, but 90% of the crowd would rather wait the extra 15 minutes and be entertained when they are not singing instead of getting up 1-2 more times a night.

Here is the everlasting cycle of karaoke:

A good KJ starts at a new bar. He/she soon gets a nice base of regulars. These regulars come in because the karaoke night is pretty slow and they get to sing 6-8 times a night with a good KJ. Soon the show gets more and more popular and soon they only get to sing 2-3 times a night, so they stop being regulars and go to another bar where they can sing 6-8 times a night. The karaoke night slows down because some of the regulars left, and new regulars take their place to start the whole cycle over again.

At my bar, this cycle seems to repeat itself about every 3-4 months.

The "loyal" regulars that come in for karaoke only and want to sing as many times as possible will abandon you and drop you THE SECOND your show becomes popular. You know what, though? The ones that come in for the good dance music keep right on coming!! I have regulars that have been showing up every Saturday for 2 years just for my filler music. They understand that in most cases I am only going to play 30-45 seconds of a song, but that energy stays high all night, even if the karaoke singers sing 3-4 ballads in a row.

And say what you will, but I have a very attractive female clientale that come to shake their a** weekly, and where there are girls dancing, the guys follow. My job is to fill that bar with people NOT to make sure everyone gets to sing a certain number of times, and I do my job week in and week out.

SO, I guess what I am saying is that your generalizations are not universally true. Sure, many KJs may abuse the filler and not know what they are doing as far as reading a crowd, but there are also some of us that integrate it flawlessly and create a really good product that is MORE than just karaoke, and as long as my show is putting 200 butts in the seats, it is better than any show putting 50 butts in the seats where you get to sing 8 times a night BY A LONGSHOT.

If you want to see it done right, come on down to FL one Saturday and I'll change your mind!!


I totally disagree with this. This is exactly the type of show most die hard karaoke singers try to steer clear of. If the bar is paying for karaoke on karaoke night then it should play karaoke music.  I personally and others who go with me all hate the KJ's who see themselves and some form of DJ/KJ mix. People dance to dance music at karaoke all the time. Singers hate to wait to get up.

The best KJ I ever knew was at the Showdown bar in San Marcos. His name was Jimmy Lee and he used to do something that was a little out there. He would start the show himself with one or two songs (rarely three) but he actually was an entertainer in Las Vegas so he could sing and knew how to work a crowd as well. He used to get me up right away and if he didn't have any other singers he would say..."Here's a triple shot of Jeff" and I would do three songs in a row, even if I didn't have three up there.  My retort to his triple shot of Jeff comment was always that there were a few women in there that had a triple shot of Jeff as well, which shows that karaoke and beer are a dangerous combination.
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PostPosted: Sun Sep 10, 2006 1:19 am 
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TopherM @ Fri Sep 08, 2006 11:02 am wrote:
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yup, six hours times sixty mins is 360 mins. If every song averages 4 mins long, then yep, that's 90 songs.

But, there are a lot of songs that are 5-6 mins!!


I'll accept HYPERBOLE as the only correct answer here.

Again, there is not a line of singers that start IMMEDIATELY after the other one ends. You have to allow 30-45 seconds for each singer to come up. Even at 80 songs, that is about 40-50 minutes during the 6 hour show that it takes just for the singers to come up. That leaves a little over 5 hours to fit in 80 songs, meaning each song would have to average exactly 3:45 for you to get that many singers in. At 100 singers, each song would have to average 3:00 each. I'm still not buying the 100 songs a night, or even 90, or even 80!!!

Count how many actual slips you take next show and let me know!! I bet it is closer to the 12 or so an hour the rest of us pull off, not 17 an hour. I just don't think it is physically possible!!


I did an hourly count tonight.  4 1/2 hours

1st hour 16 singers
2nd hour 14 singers
3rd hour 13 singers (longer songs)
4th hour 15 singers
last 1/2 hour 8 singers.

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PostPosted: Sun Sep 10, 2006 5:07 am 
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Jian @ Sat Sep 09, 2006 10:35 pm wrote:
The reason why Bigdog insisted that there is almost no gap between singers is that his singers sing from the table. there is no time wasted walking to the stage and there is no cattle call. before the song finish the 2nd mic is already with the next singer.

This is the bigest advantage of singing from the table/floor.
The biggest disadvantage of singing from the table is for certain songs, you need to be standing up to sing it. To get that full diaphram power.

While not every case, I look at singing from the table as treating karaoke not nearly as professional as having a stage, where everyone looks towards the singer as THEY are the show for that one time period. Ohhh, who's next, check the stage... not scan the crowd to see who's got the wireless mic.

Also, I have a bit of control over my equipment... Lonnie can tell you how his wireless walked out the door one night!


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PostPosted: Sun Sep 10, 2006 12:55 pm 
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I wouldn't say it's any more professional having a stage vs not having one.  If not having one works at your show, then do it.  I prefer a stage & if the club I am doing don't have one, I will set-up an area.  When I sing I prefer going on a stage rather than sitting in a crowd - if there is no stage, I will more than likely leave & find a place that has one - or at least a singing area.  As the poll showed most that voted preferred a stage as well - it's probably the prima-donna in them.   :D

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PostPosted: Sun Sep 10, 2006 1:00 pm 
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It is definately the prima donna in me.  I can sing at home anytime I want but I don't like to unless others are there with me.  And I really prefer to go out to a place that has an actual stage to sing from. I love the lights and the attention...Call me shallow..But I like it....

If I go to a place where they are singing from their seats I will not return.  I can't sing sitting down...

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