Lonman @ Fri Aug 11, 2006 2:35 pm wrote:
mroctober @ Fri Aug 11, 2006 12:32 pm wrote:
Lonman
I think you use one of these Mackie's...... do you suggest I run My CD+G thru the 9/10 11/12 Channels instead of the Tape In ?
Oh, but of course!
I don't care what mixer anyone runs, the tape in's should not be used. Even if you have to use 2 separate channels to get both inputs, do it. The channel strips are better for everything as you can send the signal to the monitor, add effects if needed, & most importantly - EQ capability. Not all songs are recorded equally & some do require eq adjustments.
AND!....you can also attenuate the inputs like you would a mic.....CD players are notorious for inputting a too-hot signal into any mixing board....patching in thru 2 mic strips is a sure way to fix that, just make sure to meter the cd input and tweek the input gain like you would a mic!
Some better mixers offer a CD input with a switched input gain, some even mo-better mixers offer a CD input with a fully varible input gain pot.....not the Mackie or any like it in that price range, tho.
I've edited this to explain why CD players import a too-hot signal into your mixing board:
Your pro level KJ CDG player is too much like any consumer grade home stereo CD player...It really is.....It is offered and sold as a pro Karaoke player, but it is designed electronically to connect to a home stereo system, not a pro audio stage system....
Yes, there is a difference between home audio and pro audio....a big difference that isn't apparent...the difference isn't apparent even at the cables jacks sometimes....The cable jacks will allow you to connect a any CD player to your pro level mixer, but that don't mean all is good.
The difference is electronic.
Your pro mixer is not designed to input home/consumer grade audio equipment....The input levels of pro differ greatly from home/consumer grade stuff....but all CD and CDG players offer only home/consumer grade outputs.....So any player you input to you mixer needs to be properly(electronically) matched at the input to the mixer.
There are several ways to do this. The easiest is when you patch the player into the L/R mic stereo inputs and simply use the mixer input twisty and meters to attenuate the strips gain to proper pro levels.