I decided to start a new thread with an answer to a topic started by big dog because I began with my answer to his question and then started a rant and then went off on other tangents to explain my earlier reply to his original question and the cow jumped over the moon etc etc etc... anyways... instead of hijacking his thread with other issues, I decided to just throw it all into a new thread... yay me...
I remember a few years back (when copying CDG's and converting them to a digital file was just starting out) there was a guy advertising to buy damaged or even broken CDG's. He simply was buying them, no matter what shape they were in, and then justifying using a working backup (downloaded online or traded from other KJ's) because, technically, he had the original in his possession and that it didn't matter if the original worked or was in a couple of broken pieces- he had a 1:1 disc ratio of original:burned backup disc...
was it wrong or right??? I think that it falls within a VERY gray area of moral work ethics but it is no different than any other KJ using burned cdg's, or converted digital files, to protect their originals. It just happens in this case that he was getting these broken or heavily damaged discs from singers or clubs that were going to just throw them away because of the damage or use them as drink coasters... Using many of the KJ's logic on this forum it shouldn't be illegal or wrong because, again technically, he had the original discs, and they feel that this fact should transfer the license to the burn or digital file.
Whether it is legal/illegal for a show that owns all the originals, and uses backup CDG's, or they bought a hard drive filled with mp3+g files, really is such a meaningless debate to have any more. Each KJ, or club, uses any and every reason to justify their position, no matter how far out in left field it might be, and I doubt that ANYTHING said in an internet forum is going to sway them from how they operate.
Bottom line is that there is no enforcement of existing laws that might deter KJ's from using material they did not buy or do not legally own. The manufacturers have been so busy fighting amongst themselves on universal formats for digital karaoke files that the industry has passed them by. They are having to play catch up while the pirates and thieves won't slow down a bit. By the time the manufacturers get a grip on the existing industry and control of the market again, the digital KJ's will be the rule, not the exception, and will have moved on to bigger better things than what the manufacturers will be offering. When the next karaoke player, software, hoster, ripper, BBQ, burner, digital camera, mp3 player telephone is released by the manufacturers, it will already be yesterdays news and someone, somewhere, will already have a better karaoke mousetrap...
There are bigger issues, IMHO, facing the industry other than piracy, digital KJ's and what you can legally do with a retail disc you have bought. I think the biggest problems facing the industry are quality shows, hosts that can't run sound correctly even if you draw them a picture, KJ's who go computerized and they don't have a clue on how to deal with computer issues or troubleshooting, KJ's with 20K worth of sound, lighting and DJ equipment with no clue on how to use %95 of it correctly, karaoke shows that are really DJ dance shows with a singer every once in a while and the continued dropping price of average money paid out to mobile karaoke companies. These are just a few off the top of my head
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I don't care if you downloaded 100,000 songs and bought all your equipment from pawn shops as long as you charge a decent fee for the services so the entire market doesn't drop down to the lowest possible fee. You have too many $50/night and an open beer tab shows in an area and it really screws it up for those who want to run a professional show and charge $150+/night.
If a person wants to run a club or karaoke sound system, then please, please, PLEASE take the time to learn how to adjust the sound of the music and the singer for the best possible mix. This has to be done for EACH singer and varies for the music from manufacturer to manufacturer. Do some research on the equipment in your booth. Play with different variations of settings and go to the back of the room you are playing in every once in a while and LISTEN to your mix. Try to do this without alcohol being involved. It is amazing the things you can hear when you step away from the equipment and LISTEN. Just a thought... or if "push play" is the extent of your mixing ability then may I suggest a career in radio...
I have seen horrible shows with top of the line equipment, huge song selections and a KJ without a clue.
I have seen top of the line shows with horrible equipment, minimal song selections and a KJ who pays attention and makes the right adjustments for EACH singer, consistant rotation policy (no matter how they do it) and are on top of their game.
An entertaining and quality karaoke experience is not always guaranteed just because they have a ridiculously large music collection, the best players, speakers, amps, mixers, lights, or the newest industry technology. It all comes down to the host and how they put all of those things together so they perform at the highest level of quality and professionalism. It is this truth that will carry the karaoke industry through the dark times. "Crap in equals Crap out" and the crappy shows will eventually fall to the wayside *crossing fingers* and the quality shows will hopefully be ready to fill the void left when it happens. DO the BEST job you can, give the best show you possibly can EVERY night and don't worry about others you have no control over. Karma is a bltch and will leave doggy presents in their yard eventually...
Sorry bout the rant and topical tangents but I couldn't sleep and I don't care if anyone agrees with me or not... just typing out loud...
tig