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PostPosted: Fri Aug 12, 2011 3:31 am 
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Lonman wrote:
That's a great start, however those aren't graphic tracks correct - audio only? It's always been said it's easy to obtain license for audio only tracks, it's the lyrics reprint/sync that can be the trick.


yup, i agree, it is not a CDG track, but If Priddis can put up the mechanical license, then to put up the lyric reprint should not be too difficult for anyone.
consider this.....if i get the GEM, i must post my license stickers in plain sight on the hard drive for all to see. why not if i buy a song, the manu must display the license in plain sight for all to see?
i have to but the manus are exempt?

we can not download songs because SC has said that we can not, SC has sated that the download sites do not have the correct licensing. but at least one of those sited has said B.S. on that. they have not put up licenses, but neither has SC. so it is 100% he said / she said.
Moonrider has said that you can get a download license instead of a Disc license (i forget the exact terminology) and CB is now offering streaming as well as the buy by the track digital tracks (KJHD) by DOWNLOADING them.
so is SC scamming us, or is CB scamming us?

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PostPosted: Fri Aug 12, 2011 4:21 am 
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Paradigm Karaoke wrote:
Lonman wrote:
That's a great start, however those aren't graphic tracks correct - audio only? It's always been said it's easy to obtain license for audio only tracks, it's the lyrics reprint/sync that can be the trick.


yup, i agree, it is not a CDG track, but If Priddis can put up the mechanical license, then to put up the lyric reprint should not be too difficult for anyone.
consider this.....if i get the GEM, i must post my license stickers in plain sight on the hard drive for all to see. why not if i buy a song, the manu must display the license in plain sight for all to see?
i have to but the manus are exempt?

we can not download songs because SC has said that we can not, SC has sated that the download sites do not have the correct licensing. but at least one of those sited has said B.S. on that. they have not put up licenses, but neither has SC. so it is 100% he said / she said.
Moonrider has said that you can get a download license instead of a Disc license (i forget the exact terminology) and CB is now offering streaming as well as the buy by the track digital tracks (KJHD) by DOWNLOADING them.
so is SC scamming us, or is CB scamming us?

There is a difference between a track downloaded for KJ Media Pro and from Tricerasoft. Tricerasoft's is ready to go CB's Media pro you have to unlock first.

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PostPosted: Fri Aug 12, 2011 5:43 am 
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Paradigm Karaoke wrote:
we can not download songs because SC has said that we can not, SC has stated that the download sites do not have the correct licensing.

CB is now offering streaming as well as the buy by the track digital tracks (KJHD) by DOWNLOADING them. So is SC scamming us, or is CB scamming us?


Paradigm Karaoke - Let's see, SC trying to get rid of outdated plastic discs, CB stepping up into this century and offering digital content which is what the customer wants.

That's not a difficult one to decipher for me.


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PostPosted: Fri Aug 12, 2011 6:07 am 
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DannyG2006 wrote:
There is a difference between a track downloaded for KJ Media Pro and from Tricerasoft. Tricerasoft's is ready to go CB's Media pro you have to unlock first.


One other difference: KJ Media Pro you don't need to be online to acquire the song while Tricerasoft you do. We all know what happens when you try to run too many processes during a show. It bogs down the computer. Running internet to download a song is not a good idea, unless you're running a super computer.

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PostPosted: Fri Aug 12, 2011 6:15 am 
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DannyG2006 wrote:
Running internet to download a song is not a good idea, unless you're running a super computer.


Really? I've done this (downloaded from Tricerasoft while running Siglos) on numerous occasions with friends over singing at the house. I'm using an old IBM Thinkpad T-43.

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PostPosted: Fri Aug 12, 2011 9:43 am 
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hiteck wrote:
DannyG2006 wrote:
Running internet to download a song is not a good idea, unless you're running a super computer.


Really? I've done this (downloaded from Tricerasoft while running Siglos) on numerous occasions with friends over singing at the house. I'm using an old IBM Thinkpad T-43.

I personally will wait to download a song, if I were downloading it, until I got home because too many processes are being used at the same time and MIGHT interfere with the running of your hosting program. Besides I don't want to have to constantly pull up my importing function of my hosting program during a show. The other thing is if you switch to another program say your internet browser then not only does my hosting software minimize but so does the lyric screen. I am running Compuhost.

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PostPosted: Fri Aug 12, 2011 10:43 am 
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DannyG2006 wrote:
I personally will wait to download a song, if I were downloading it, until I got home because too many processes are being used at the same time and MIGHT interfere with the running of your hosting program. Besides I don't want to have to constantly pull up my importing function of my hosting program during a show. The other thing is if you switch to another program say your internet browser then not only does my hosting software minimize but so does the lyric screen. I am running Compuhost.


I've run ComphHost for almost 5 years now... I've grabbed a track or two on the fly when appropriately persauded (Andrew Jackson style). Adding an individual song to the singers' queue isn't particularly complicated. I did this on a Vista based system with 2GB ram and more recently on a WIN7 based system with 4GB ram and there were no visible issues or slow downs. Try running iTunes at the same time as CH and you will see glitches. A simple browser and internet connection for a couple of minutes really shouldn't cause problems on a healthy PC.

Even before they added the extended desktop override feature, when I opened other apps, CH didn't minimize either the app itself or the display screen. That might be a result of your config.

I use the override feature almost exclusively now, so that I can set up my remote request server/kiosk without having to set up my video displays first. That opens sign-up earlier for the singers. It also prevents CH crashing should it lose the physical connection to the video display during a show. I had that happen once when a video (VGA) cable came unplugged during a song... I grabbed the laptop and held it up in front of the singer to finish the song.

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PostPosted: Fri Aug 12, 2011 2:05 pm 
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the difference is i download the track from CB and then pay for it afterwards. with Tricerasoft, i pay for the track first then download it. either way, i sit a home after the show, and download a track i need for a singer. same thing.
my p[oint was SC says all downloads are illegal (even in the safe harbor paperwork) but CB says they are ok and is offering them for kj's. who is lying?

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PostPosted: Mon Aug 15, 2011 10:37 pm 
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Paradigm Karaoke wrote:
the difference is i download the track from CB and then pay for it afterwards. with Tricerasoft, i pay for the track first then download it. either way, i sit a home after the show, and download a track i need for a singer. same thing.
my p[oint was SC says all downloads are illegal (even in the safe harbor paperwork) but CB says they are ok and is offering them for kj's. who is lying?


You are confusing me here because the last time I looked CB says that their downloads are not for commercial use, has that stance since changed?


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PostPosted: Mon Aug 15, 2011 10:57 pm 
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don't you download all the tracks to the hard drive to unlock them?
they do not send you discs.

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PostPosted: Tue Aug 16, 2011 2:46 am 
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Paradigm Karaoke wrote:
don't you download all the tracks to the hard drive to unlock them?
they do not send you discs.


OK sorry I thought you were talking about direct downloads not the hard drive system. But you are wrong about when you pay for them you have to pay for them way in advance and then unlock them according to the amount of credits you have. The hard drive is sold to you loaded and you have to make the purchases before you can unlock them even for the updates which are downloaded to that particular drive you aren't purchasing a "download" you are simply paying for a song that is already on your drive.


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PostPosted: Tue Aug 16, 2011 5:44 am 
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But the result is the same...a MP3+G on your play drive. Of course, in the CB instance the track has a unique ID number embeded in the file. At any rate it appears that licenses for the electronic purchase of material for playback from hard drive can be negotiated.


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PostPosted: Tue Aug 16, 2011 7:24 am 
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On the CB thing, don't you download to get the latest songs added?


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PostPosted: Tue Aug 16, 2011 7:28 am 
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leopard lizard wrote:
On the CB thing, don't you download to get the latest songs added?


That is my understanding and at the point of unlocking the track for playback the format of the originally purchased media is changed to allow you to play it using the hosting software of your choice.

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PostPosted: Tue Aug 16, 2011 7:44 am 
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leopard lizard wrote:
On the CB thing, don't you download to get the latest songs added?


Yes, you connect to CB via the Comphost interface, if new tracks are available you select them and they are downloaded to the KJMP drive in a locked format. When you unlock/purchase a track for use, it is unlocked, ID embedded and the unlocked track is then copied from the KJMP drive to your play drive.


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PostPosted: Tue Aug 16, 2011 7:49 am 
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Paradigm Karaoke wrote:
TommyA wrote:
Purchased a track from KaraokeLocker. Probably not something I would use on a regular basis. Track was ripped at 128, wasn't offensive, but did sound a little "brittle" through my laptop speakers (with a little EQing on my rig it would probably be useable).


odd, mine are all 192


Others may be ay higher bit rates. As I said, I purchased a single track. Just checked it again, played the track via Winamp and it shows 128.


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PostPosted: Tue Aug 16, 2011 8:45 am 
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Singyoassoff wrote:
DannyG2006 wrote:
Hey if Priddis can provide it, why can't anyone else for that matter provide the actual licenses needed for use. On every Priddis download there is documented proof that the licenses have been paid for. As to the GEM series the license to lease them is sufficient.


Speaking of the Gem Rental agreement, let's see where we might find an "indemnification" clause:

OWNERSHIP. You acknowledge and agree that the ownership of all Media, including all right, title,
and interest therein, belongs to Sound Choice and will remain with Sound Choice throughout the term
of this Agreement. You also acknowledge that all rights in the Media and the Content not specifically
granted to you by operation of law or expressly granted through this Agreement are reserved to Sound
Choice or to third parties, as applicable. You further acknowledge and agree that the ownership of all
Content—including the entire right, title, and interest therein, including copyrights, trademarks, and
other intellectual property rights—belongs to Sound Choice or the respective rights holders of the
Content. In particular, copyright in the underlying musical works (the composition rights) belongs to
the original authors or their assignees and are reserved to them. This Agreement does not grant you
any rights with respect to those copyright holders. We are unable to grant you any particular license or
resolve any claim on behalf of those copyright holders or any other third party.
You are responsible for
obtaining any necessary licenses or permissions prior to any public performance of the underlying
musical works


If you think this is sufficient, God bless ya. I think that might be THE EXACT OPPOSITE if an "indemnification" clause. That's a "we ain't coverin' $hit" clause, if you ask me. It CLEARLY disclaims any possible license. If Don Henly comes knockin', you're on your own. So why is it exactly that PCDJ should all of a sudden start guaranteeing possible future losses on the SAME TRACK SOLD FROM THEIR SITE?


The GEM license does not provide indemnification. But what that particular paragraph is referring to is the necessity of the KJ (or the venue, usually) obtaining the necessary licenses from ASCAP/BMI/SESAC. Public performance is one of the exclusive rights of copyright. If you buy an ordinary music CD off the shelf at Walmart, you can play that to your heart's content at home, but if you want to play it in a public venue like a club, or broadcast it over the air, or stream it over the Internet, you need an appropriate license to do that. That doesn't make the music CD you bought unlicensed. It just means that there are other permissions you need to obtain that aren't covered by the original purchase. It's the same with the GEM series.

Don Henley is represented by BMI. If he comes knockin', show him that your venue has paid its BMI fees and tell him to belly up to the bar and have another Tequila Sunrise.


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PostPosted: Tue Aug 16, 2011 9:31 am 
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HarringtonLaw wrote:
Don Henley is represented by BMI. If he comes knockin', show him that your venue has paid its BMI fees and tell him to belly up to the bar and have another Tequila Sunrise.


I'd just put up track SCSP8669-08. It's by Mojo Nixon.

Then I'd stack EVERY single Eagles and all of Frey, Walsh & Felder's tracks into the queue and start buying rounds for singers.
I'd also include all tracks of Henley's from the 19 different manufacturers that offer them and ask if he'd care to sing.


Oh, look Don, my middle finger is stuck like this.

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PostPosted: Tue Aug 16, 2011 11:55 am 
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HarringtonLaw wrote:
If you buy an ordinary music CD off the shelf at Walmart, you can play that to your heart's content at home, but if you want to play it in a public venue like a club, or broadcast it over the air, or stream it over the Internet, you need an appropriate license to do that. That doesn't make the music CD you bought unlicensed. It just means that there are other permissions you need to obtain that aren't covered by the original purchase. It's the same with the GEM series.

Don Henley is represented by BMI. If he comes knockin', show him that your venue has paid its BMI fees and tell him to belly up to the bar and have another Tequila Sunrise.


so am i understanding correctly that the difference between home use public performance of these tracks is the venue obtaining a P.R. license?

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PostPosted: Tue Aug 16, 2011 12:03 pm 
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Paradigm Karaoke wrote:
HarringtonLaw wrote:
If you buy an ordinary music CD off the shelf at Walmart, you can play that to your heart's content at home, but if you want to play it in a public venue like a club, or broadcast it over the air, or stream it over the Internet, you need an appropriate license to do that. That doesn't make the music CD you bought unlicensed. It just means that there are other permissions you need to obtain that aren't covered by the original purchase. It's the same with the GEM series.

Don Henley is represented by BMI. If he comes knockin', show him that your venue has paid its BMI fees and tell him to belly up to the bar and have another Tequila Sunrise.


so am i understanding correctly that the difference between home use public performance of these tracks is the venue obtaining a P.R. license?

That's the way it was always described to me from reps at ASCAP throughout the years.

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