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c. staley
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Posted: Fri Jul 22, 2011 10:05 am |
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Joined: Thu Jun 06, 2002 7:26 am Posts: 4839 Location: In your head rent-free Been Liked: 582 times
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jdmeister wrote: I know nothing of the law.. I've not even been to jail.. "yet." ( you forgot to add "yet." Don't worry though, if you try really hard, there's still time. Just sayin' )
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BarryTone
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Posted: Fri Jul 22, 2011 1:56 pm |
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Joined: Sat Jul 16, 2011 10:35 am Posts: 26 Been Liked: 0 time
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c. staley wrote: BarryTone wrote: First you need to understand the distinction between current music which drives the market, and music that has already been established in the market for at least several months. These are two entirely different animals. Secondly, most songs today have at least some ownership by one of the four major publishers, none of whom issue licenses and/or approvals in the same manner. c. staley wrote: I understand this and I've never suggested that it's an "easy process" by any means, it's simply one of the occupational hazards of being in the business they are. Complicating this is the karaoke manufacturer desire to be within the time zone of "current music" and not "established music" because of it's innate "sale-ability." It's a rock and hard place to be on the leading edge of music - but that's still the karaoke manufacturer's choice to do so. Okay . . . fair enough. However if you understand all of this wouldn't this be a mitigating factor and why would you be so inflexible? I have yet to hear you offer any support for these labels. Come on now, no one is always completely wrong or completely right for that matter. BarryTone wrote: Now let's complete the scenario. Major publisher #4 does not and will not deal with requests for licensing individual tracks except in special cases. Incidentally this holds true for the other three major publishers. Karaoke only represents 5% of their market, but as one licensor once told me, 95% of their aggravation. c. staley wrote: And the aggravation is because????.... The aggravation is because unlike strictly audio projects where none of the previously mentioned factors come into play, and in most cases can be done through Harry Fox, each license has to be drafted separately. Evidently, this is more work than the publishers care to commit to their staff. c. staley wrote: Okay, and as part of my business, I have (had?) to carry my own equipment in the club in the winter... sucks too, but the point is that it's simply part of the job. I appreciate your explanation. Indeed we all have things like that to deal with, but honestly are you really trying to equate hauling equipment in the snow to this? BarryTone wrote: So record label seeks APPROVAL from major publisher #4 by referring to their monthly list of songs approved for karaoke. So far so good, now the record label puts the work into production anticipating that it will receive the remaining approvals necessary to complete the licensing while it continues to contact the other KNOWN publishers some of whom could be one of the other three major publishers or several other publishing companies. Now the record label gets approval from the KNOWN remaining publishers (which can exceed 10 or more on a single composition) and on to the next song. The preceding is not the exception, but rather the norm. Operative word here is "anticipating" because of their desire to stay within the "current music window" and I understand the difference in sales and the karaoke label at this point is fully aware of the risks involved (they've been down this road before right?) so it is incumbent on them to accept these risks as the cost of doing business.
Absolutely! The record labels are aware of the risks and have no choice other than to embrace them if they want to stay in the game. Sometimes they win, other times they lose, but demonizing them for when they lose is a bit unfair.
BarryTone wrote: Now legally speaking, unless there is an agreement amongst the individual rights holders of the musical composition stating otherwise, any one of the rights holders can issue a license to use their work. Stated differently, one rights holder cannot prevent another rights holder of the same work from issuing a license unless previously agreed to or if one of the rights holders is designated as the “administrator” of the work which is extremely rare.
Now here is just one of the problems that the record label will face. At the end of the year major publisher #4 issues a license for the work, which has a disclaimer in the document. A disclaimer that states, that the license is only valid IF all other publishers have issued a license or approval for the same work. Is this disclaimer enforceable or legal? Probably not, but does the record label really want to go through the expense of litigating this issue. Again probably not, be as it may this is standard practice and is just the way things are done.
c. staley wrote: I get it. And it strengthens the case for licensing out of Borneo doesn't it?
Sure does, or well at least it used to. Unfortunately even the MCPS has removed their "worldwide" clause with a disclaimer that their licenses do not cover the US.
BarryTone wrote: At this point it should be fairly obvious that the way a license is issued in the real world is nowhere near the way in which you envision it. It should also need no explanation as to the many different types of exposures to an infringement, even when the label THINKS it has all of its bases covered.
The label has two options, either wait for a signed license from all of the rights holders which would in effect put them out of business, or use what is commonly referred to in all businesses “best practice”. All companies that release current music opt for the latter.
c. staley wrote: Best practice is fraught with plenty of pitfalls and again, it's not something that any karaoke label enters into blindly - so I find it hard to sympathize with it.
Well that's your prerogative, but what would be your alternative?
c. staley wrote: Which way do you want it? Do you want it as fast sales within the "current music window" or do you want to continue to sell the same songs after 10 years? Both ways is kind of tough unless you're willing to absorb the cost of inventory. Your own description puts a three year time limit on these tracks anyway so the ONLY way you can still sell them after 10 years is to store and inventory. After all, you're paying your licensing on a per-copy basis right? So the publisher is still due their fee even on the song you sell 10 years later.
This isn't one way vs. another way. Why should a label have to reacquire a new license to sell their content after they've already paid a fixing fee, an advance, and royalties on every sale over the advance going forward? There isn't an expiration on a mechanical, why should the addition of OSL be such a game changer? Of course if you've been following this thus far the answer is probably obvious.
BarryTone wrote: Unfortunately we all have to rely on this system however corrupt it may be, but to build a case against the labels (which mostly seem to be SC and CB) in this forum based on suits and summary judgments is not taking into consideration the whole picture. Also whether or not they are guilty of “willful infringement” they had to pay dearly to settle their cases. In fact far more than the value of the content that they allegedly infringed on. So in the end in addition to whatever payments they may have already received, the writers and publishers got paid far more than they would have received otherwise. That in and of itself should be reason enough for everyone to accept the fact that they have paid for the infringements whether they infringed or not. They’ve done their time so to speak so there is little use of belaboring this point in any meaningful discussion. The only reason to do otherwise would be in a search for justification to infringe on their content.
I would defend your position with regard to audits and other acts of having to prove your innocence (as opposed to having reasonable cause) against the record labels, just as vigorously. Oh and by the way, "Favored Nations" benefits the publisher and not the label as you've suggested.
c. staley wrote: It is my opinion that "whether or not" leans more toward "whether" than "not" and they've made millions on it. There have been and there are songs that have never been licensed and sold. While these labels would like to charge their customers to prove their innocence, at the same time they are unwilling to prove their licensing... and they've already been paid once. And by the way: http://itlaw.wikia.com/wiki/Most_favored_nation_clause wrote: A most favored nation clause (also called a most favored customer clause or most favored licensee clause) is a contract provision in which a seller (or licensor) agrees to give the buyer (or licensee) the best terms it makes available to any other buyer (or licensee). Sorry but you are wrong again. You are quoting from IT Law which is a site dedicated to Internet Law, etc. I found the following link which also had some other good stuff in it as well. http://www.farmtomarketmusic.com/Music% ... 0Terms.pdf The term "most favored nations" as used in IP law means that if a publisher includes a "most favored nation" clause in their license (which most of them do), it then requires that if any publisher on a particular compilation has been able to negotiate a higher royalty, then that publisher is entitled to the same rate. In other words let's say that you were able to negotiate a .15 cent royalty rate for 14 songs of 15 song compilation, and the owner of that one remaining song (which could be a "must have" title) wants a .25 royalty, then you now must pay the rest of the publishers .25 per song that include a "most favored nation" clause in their agreement. Ten cents may not sound like much but on a typical 15 song release that would jack up the cost by over $4,000 just for the advances alone, before the disc even hits the pressing plant. This is another one of those variables that I didn't articulate but it is just another one of many of which the general public is not even aware of their existence.
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jdmeister
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Posted: Fri Jul 22, 2011 5:57 pm |
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Joined: Sun Mar 24, 2002 4:12 pm Posts: 7703 Songs: 1 Location: Hollyweird, Ca. Been Liked: 1089 times
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c. staley wrote: jdmeister wrote: I know nothing of the law.. I've not even been to jail.. "yet." ( you forgot to add "yet." Don't worry though, if you try really hard, there's still time. Just sayin' ) No, not much time left.. But that's another story..
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BarryTone
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Posted: Fri Jul 22, 2011 8:59 pm |
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Joined: Sat Jul 16, 2011 10:35 am Posts: 26 Been Liked: 0 time
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diafel wrote: Barrytone: I think what has some on here so incensed is that some of the manufacturers are going after pirates, but in so doing have caught innocent people in the net on several occasions. One manufacturer posted on here quite some time ago and was quite vehement in his approach when called out on his investigative methods. He also appeared to be quite vindictive to some of those innocent parties when they posted on here, upset at what was being done to them, threatening them with having to pay more if they continued to post (I'm paraphrasing here). Those posters are long gone now. Those who did post on here but changed their opinions to support that manufacturer were not bothered in this way. He also appeared to be very uncaring about those who were innocent, caught in his net, basically denying that such a thing happened and that they were ALL guilty. Time has proven quite differently and I believe it will continue to do so. Several on here took what he posted and they way he posted to be quite hypocritical and now we have the above scenario of the pot calling the kettle black. I personally disagree with the methods of investigation, or lack thereof. It appears to me that little to no real investigative work has been done. Instead, what appears to happen is that someone (maybe not even a licensed investigator) walks into a venue, sees a computer, sees karaoke on the screen and calls it a day, without further inquiry. One case I know of is still ongoing and even though the accused has all the discs (I've seen a video he produced showing walls and walls of all his discs), because he did not "co-operate" with that manufacturer and instead asserted his rights and refused to have his privacy invaded, he has been dragged though the mud by said manufacturer. The case itself has been delayed and underhanded things have happened, like the manu's lawyer telling the defendant not to file certain documents because it isn't necessary, when in fact they did need to be filed; holding a court ordered scheduling conference without informing the pro se defendants and then telling the judge that all parties were in agreement; neglecting to serve documents on the defendant; and the list goes on. In one case, the manu pretty much extorted someone into agreeing to buy the discs when they knew full well that at the time, the case against that defendant had already been dismissed. Despite this they didn't inform the defendant about the court decision and took his money anyway. Why did the defendant agree to settle? He was worried about the cost and figured it would be cheaper than hiring a lawyer. And he was right about that. It was a clear case of trademark extortion and it continues to this day, just a little more subtly, since apparently the backlash from the public and the bad press has made him rethink his methods, but only a little. The first copy of the settlement agreement is really what got many of us going here. People were being "forced" (read: extorted) to sign away many of their legal rights. It's underhanded things like this and the spiteful way he came across in posting here when questioned about such things that turned my opinion of him. And it all started with the way he went about "investigating", infringing on others' rights and it just snowballed from there, mainly due to his own efforts. As for Stellar, I'm glad that they are not taking part in any of that and are taking the high road in realizing that some have unwittingly become pirates (having compassion, instead of venom for those who were duped into buying illegal HDs) and are not putting the onus on those of us who have been loyal customers. As my father always said, "you attract far more flies with honey than you do with vinegar"! BTW, Just a question on Stellar's "payment plan" for the CAP program. Not sure if you can get this information of not, But earlier, I saw someone on here mention that they only do a few shows a year, and it got me to thinking. What about the KJ that doesn't do very many shows or doesn't make a lot with his or her weekly gigs and can't make enough to make the 6 monthly payments of $533.33? Do you think Stellar would consider "easier" terms for people like them? Also, is it like others here were suggesting, that once you pay, you can have ALL of the songs listed, no matter how you get them, even after you've paid - ie: go download them after paying? Just curious on that one. The situation as you’ve described it would enrage anyone. I don’t see how anyone can agree with the methods that you describe. Most of the things that you described in your post would have little chance of holding up in a court of law, but I’m sure that provides little comfort to anyone who might have been victimized by these attacks. This is the part of the system that really sucks in my opinion. You get named in a lawsuit or just merely singled out by an IP troll, and you now find yourself in the position of having to defend yourself. You are now faced with the decision to either admit guilt and arrive at a settlement, or litigate. It doesn’t take the victim of this predatory action very long to realize that admitting guilt and settling is the more practical decision once the victim realizes that the bill for a $400 to $500 per hour IP attorney can rack up a six figure lawyer bill in no time, and with no guarantee that the victim will prevail. It is frighteningly analogous to the food chain in the aquatic world. Little fish gets eaten by big fish that gets eaten by bigger fish. KJ gets eaten by label that gets eaten by publisher. The whole system lends itself to such predatory actions. It’s one of the things that is wrong with IP. If you’re interested, there is an interesting book written by Stephan Kinsella titled “Against Intellectual Property”. Personally I don’t agree entirely with his conclusions but it is extremely well reasoned and a good read that offers a different perspective on the subject. I think he actually released a free audio book of that title as well which you can probably get from his website. I’m not as sympathetic toward purchasers of loaded hard drives as you are. I find it hard to swallow that someone in this digital age could have been “duped” into purchasing a loaded hard drive. Even if they were, once they had realized that these devices were illegal, they had an obligation to immediately discontinue the use of those drives. They can try to return the system to the seller and hope for a refund, but good luck with that. Also I wouldn’t count on much compassion from any label including Stellar in cases like this. As far as Stellar’s payment policies are concerned, I can’t speak for them so you’ll have to inquire from them. Their corporate offices are in Boston, but I think all of the CAP stuff is handled out of their CT office. As to whether or not that “once you pay, you can have ALL of the songs listed, no matter how you get them, even after you've paid - ie: go download them after paying?” is concerned, I didn’t get that impression from their guy in CT. I tend to doubt that they would promote that practice, but on the other hand (without having the benefit of actually seeing the documents) I don’t see how they could prevent it either.
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JoeChartreuse
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Posted: Fri Jul 22, 2011 11:02 pm |
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Joined: Wed Feb 07, 2007 1:12 pm Posts: 5046 Been Liked: 334 times
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BarryTone wrote: [Have you ever been in a position where you've had to decide to pull a music production three quarters of the way through its completion due to an approval that didn't come thru as anticipated, because your licensing department just discovered another publisher who doesn't want the song on karaoke? Ah, the old SC predicamicky... The answer, though in other fields ( Electronic Engineering Design) is NO, because I'm simply not DUMB enough to attempt production of IP licensed product until I have the COMPLETED PAPERWORK giving me permission to do so, because VERBAL or HANDSHAKE agreements are not legal, and I KNOW IT. Anyone who doesn't have the business acumen to realize this deserves every single shred of problems that they get.... They produced product without written permission-period. They didn't feel like waiting. Diafel and I agree on something else- the fact that Stellar and CB do not use the same actionable techniques as SC. A plus for those two mfrs.
_________________ "No Contests, No Divas, Just A Good Time!"
" Disc based and loving it..."
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earthling12357
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Posted: Sat Jul 23, 2011 12:02 am |
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Joined: Sat Jan 08, 2011 11:21 pm Posts: 1609 Location: Earth Been Liked: 307 times
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BarryTone wrote: If you’re interested, there is an interesting book written by Stephan Kinsella titled “Against Intellectual Property”. Personally I don’t agree entirely with his conclusions but it is extremely well reasoned and a good read that offers a different perspective on the subject. I think he actually released a free audio book of that title as well which you can probably get from his website. That's an excellent book! One of my favorites concerning Intellectual Property Rights. My only disappointment was that Stephan Kinsella didn't reserve the right to remember the content.
_________________ KNOW THYSELF
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diafel
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Posted: Sat Jul 23, 2011 12:43 am |
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Joined: Sun Dec 16, 2007 8:27 am Posts: 2444 Been Liked: 46 times
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BarryTone wrote: I find it hard to swallow that someone in this digital age could have been “duped” into purchasing a loaded hard drive. Even if they were, once they had realized that these devices were illegal, they had an obligation to immediately discontinue the use of those drives. I agree wholeheartedly with you. I'm just allowing for a rare case of perhaps an older person, maybe not so "up" on things, getting duped. Not very likely, and I actually doubt such a case exists, but I'll allow for the possibility, at least. And I agree, once they do find out, they have a legal and moral obligation to make it right, even if that means losing out on what they paid for it. Sucks, but it's what's right. Thanks for the recommendation on the book. I'll certainly look into it.
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The Lone Ranger
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Posted: Sat Jul 23, 2011 5:55 am |
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Joined: Fri Jun 17, 2011 8:22 am Posts: 6103 Been Liked: 634 times
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Lone Wolf wrote: The thing I'm wondering is will they do an audit every year or just expect you to pay the fee's and they will send you a certificate saying you are OK to use the stuff they have on file.
Now compound this by having to get a certificate from all brands, along with audits and fees. Your book of certificates would be larger than most pirates song books, if they have any.
If they don't do a yearly audit then the whole thing is a waste of time.
Not only a waste of time, also expensive if a host must travel any great distance, just for the audit, and of course pay the fees.
And as Joe, (not picking on ya Joe because I agree with you), would say "If they are not going to pay me for my time the forget it."
You can bet that they are not going to pay any host, for any part of this process, since they now look at the host as their prime source of revenue. So indeed the innocent will be charged right along with the pirate.
While I'm all for the manu's trying to recoup some of the monies that have been stolen from them, I think they are really going to find these yearly audits more hassle then they are worth. Although I did see something somewhere that SC wants to train people across the states to become Audit Professionals for them which might alleviate the problem I hope they will pay them well.
Unfortunately you can't make an omelet without breaking some eggs. The problem is the eggs in question are going to end up on the hosts faces. You can bet if there are Audit Professionals this might alleviate the problem, but you can guess any added cost, will be passed on the the customer, after all the manus are in business to make money. Since the hosts is the only real viable segment of the market left you know where they are going to look for the money.
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The Lone Ranger
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Posted: Sat Jul 23, 2011 6:00 am |
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Joined: Fri Jun 17, 2011 8:22 am Posts: 6103 Been Liked: 634 times
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The Lone Ranger wrote: Lone Wolf wrote: The thing I'm wondering is will they do an audit every year or just expect you to pay the fee's and they will send you a certificate saying you are OK to use the stuff they have on file.
Now compound this by having to get a certificate from all brands, along with audits and fees. Your book of certificates would be larger than most pirates song books, if they have any.
If they don't do a yearly audit then the whole thing is a waste of time.
Not only a waste of time, also expensive if a host must travel any great distance, just for the audit, and of course pay the fees.
And as Joe, (not picking on ya Joe because I agree with you), would say "If they are not going to pay me for my time the forget it."
You can bet that they are not going to pay any host, for any part of this process, since they now look at the host as their prime source of revenue. So indeed the innocent will be charged right along with the pirate.
While I'm all for the manu's trying to recoup some of the monies that have been stolen from them, I think they are really going to find these yearly audits more hassle then they are worth. Although I did see something somewhere that SC wants to train people across the states to become Audit Professionals for them which might alleviate the problem I hope they will pay them well.
Unfortunately you can't make an omelet without breaking some eggs. The problem is the eggs in question are going to end up on the hosts faces. You can bet if there are Audit Professionals this might alleviate the problem, but you can guess any added cost, will be passed on the the customer, after all the manus are in business to make money. Since the hosts is the only real viable segment of the market left you know where they are going to look for the money. I messed this color thing up totally and have once again demonstrated that the computer is not my friend. apologize to Lone Wolf for the this is showing on the screen. I tried to do a different color after his statements and It looks like all his quoite. Actually it is his post with my comments in between. Sorry for the confusion
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BarryTone
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Posted: Sat Jul 23, 2011 7:58 am |
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Joined: Sat Jul 16, 2011 10:35 am Posts: 26 Been Liked: 0 time
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earthling12357 wrote: BarryTone wrote: If you’re interested, there is an interesting book written by Stephan Kinsella titled “Against Intellectual Property”. Personally I don’t agree entirely with his conclusions but it is extremely well reasoned and a good read that offers a different perspective on the subject. I think he actually released a free audio book of that title as well which you can probably get from his website. That's an excellent book! One of my favorites concerning Intellectual Property Rights. My only disappointment was that Stephan Kinsella didn't reserve the right to remember the content. Really? I would be interested in hearing your thoughts on that. I once had a very spirited but respectful debate with Stephan. I would be interested in learning if there are any inconsistencies. I wasn't able to find any but I was sure hoping that I could. If you can provide me with some ammo I would just love to take him up on that. Also, I congradulate you for educating yourself on this subject. I wish everyone that was involved in IP would read something from all four perspectives. Then whatever side someone came down on, at least it would be from a standpoint of knowledge and not simply uninformed intuition.
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BarryTone
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Posted: Sat Jul 23, 2011 8:53 am |
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Joined: Sat Jul 16, 2011 10:35 am Posts: 26 Been Liked: 0 time
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JoeChartreuse wrote: BarryTone wrote: [Have you ever been in a position where you've had to decide to pull a music production three quarters of the way through its completion due to an approval that didn't come thru as anticipated, because your licensing department just discovered another publisher who doesn't want the song on karaoke? Ah, the old SC predicamicky... The answer, though in other fields ( Electronic Engineering Design) is NO, because I'm simply not DUMB enough to attempt production of IP licensed product until I have the COMPLETED PAPERWORK giving me permission to do so, because VERBAL or HANDSHAKE agreements are not legal, and I KNOW IT. Anyone who doesn't have the business acumen to realize this deserves every single shred of problems that they get.... They produced product without written permission-period. They didn't feel like waiting. Diafel and I agree on something else- the fact that Stellar and CB do not use the same actionable techniques as SC. A plus for those two mfrs. I would never suggest that someone is DUMB as you put it. Ignorant perhaps but never dumb or stupid. People who truly are DUMB or stupid are amazingly capable of making that case all by themselves. Now onto your comments . . . it would appear that you have a perspective on contract law that the rest of us who studied it have not yet been exposed. You see when I studied contract law, parol (oral or verbal agreements) contracts between two or more parties are legally binding with remedies in both law and equity. There are numerous other parts to contract law for sure but this in essence illustrates a perspective different than yours to VERBAL agreements. With that being said, I suspect you are more than capable of applying that thought process to the rest of your comments. Incidentally, I think it would be reasonable to assume that the incentive for both Stellar and CB to be less aggressive than SC might be due to the fact that they are both still releasing new products. I wonder if their techniques would be less “actionable” if they were in a similar position as SC. Just a thought. "It ain't what you don't know that gets you into trouble. It's what you know for sure that just ain't so." ~ Mark Twain
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BarryTone
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Posted: Sat Jul 23, 2011 9:16 am |
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Joined: Sat Jul 16, 2011 10:35 am Posts: 26 Been Liked: 0 time
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jdmeister wrote: c. staley wrote: jdmeister wrote: I know nothing of the law.. I've not even been to jail.. "yet." ( you forgot to add "yet." Don't worry though, if you try really hard, there's still time. Just sayin' ) No, not much time left.. But that's another story.. Not sure if you are the high exhalting llama overseeing this discussion, but if so maybe you can help me with the PM thing. I just received a couple of PMs (one from you) and entered a reply. However both of the replies seem to be stuck in the Outbox. Am I doing something wrong or is this a quirk in the software?
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birdofsong
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Posted: Sat Jul 23, 2011 9:21 am |
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Joined: Sun Mar 08, 2009 9:25 am Posts: 965 Been Liked: 118 times
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BarryTone wrote: jdmeister wrote: c. staley wrote: jdmeister wrote: I know nothing of the law.. I've not even been to jail.. "yet." ( you forgot to add "yet." Don't worry though, if you try really hard, there's still time. Just sayin' ) No, not much time left.. But that's another story.. Not sure if you are the high exhalting llama overseeing this discussion, but if so maybe you can help me with the PM thing. I just received a couple of PMs (one from you) and entered a reply. However both of the replies seem to be stuck in the Outbox. Am I doing something wrong or is this a quirk in the software? They stay in the outbox until the recipient reads them, BarryTone. Birdofsong
_________________ Birdofsong
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BarryTone
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Posted: Sat Jul 23, 2011 9:31 am |
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Joined: Sat Jul 16, 2011 10:35 am Posts: 26 Been Liked: 0 time
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The Lone Ranger wrote: Unfortunately you can't make an omelet without breaking some eggs. The problem is the eggs in question are going to end up on the hosts faces. You can bet if there are Audit Professionals this might alleviate the problem, but you can guess any added cost, will be passed on the the customer, after all the manus are in business to make money. Since the hosts is the only real viable segment of the market left you know where they are going to look for the money. I thought I knew most of the cool adages but this one has escaped me. Can I use that one, or would I be required to pay you a royalty?
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BarryTone
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Posted: Sat Jul 23, 2011 9:33 am |
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Joined: Sat Jul 16, 2011 10:35 am Posts: 26 Been Liked: 0 time
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birdofsong wrote: They stay in the outbox until the recipient reads them, BarryTone.
Birdofsong Thank you!
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JoeChartreuse
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Posted: Sat Jul 23, 2011 11:25 am |
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Joined: Wed Feb 07, 2007 1:12 pm Posts: 5046 Been Liked: 334 times
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BarryTone wrote: JoeChartreuse wrote: BarryTone wrote: [Have you ever been in a position where you've had to decide to pull a music production three quarters of the way through its completion due to an approval that didn't come thru as anticipated, because your licensing department just discovered another publisher who doesn't want the song on karaoke? Ah, the old SC predicamicky... The answer, though in other fields ( Electronic Engineering Design) is NO, because I'm simply not DUMB enough to attempt production of IP licensed product until I have the COMPLETED PAPERWORK giving me permission to do so, because VERBAL or HANDSHAKE agreements are not legal, and I KNOW IT. Anyone who doesn't have the business acumen to realize this deserves every single shred of problems that they get.... They produced product without written permission-period. They didn't feel like waiting. Diafel and I agree on something else- the fact that Stellar and CB do not use the same actionable techniques as SC. A plus for those two mfrs. 1) I would never suggest that someone is DUMB as you put it. Ignorant perhaps but never dumb or stupid. People who truly are DUMB or stupid are amazingly capable of making that case all by themselves. 2) Now onto your comments . . . it would appear that you have a perspective on contract law that the rest of us who studied it have not yet been exposed. You see when I studied contract law, parol (oral or verbal agreements) contracts between two or more parties are legally binding with remedies in both law and equity. There are numerous other parts to contract law for sure but this in essence illustrates a perspective different than yours to VERBAL agreements. With that being said, I suspect you are more than capable of applying that thought process to the rest of your comments. Incidentally, I think it would be reasonable to assume that the incentive for both Stellar and CB to be less aggressive than SC might be due to the fact that they are both still releasing new products. 3) I wonder if their techniques would be less “actionable” if they were in a similar position as SC. Just a thought. "It ain't what you don't know that gets you into trouble. It's what you know for sure that just ain't so." ~ Mark Twain 1) You are right, and I would normally never use the word "dumb", nor any of the other agressive negative descriptions- my apologies to all. Two days without sleep ( Private event-bar show-private event-bar show) left me with addled brains. Not an excuse, but an explaination... 2) Maybe I phrased my statement badly. To clarify: A verbal agreement creates no legal proof of it's existance, leaving either party the opportunity to renege at a later date. Basing the use of time, energy, and resources to create and market a product on such an agreement is simply bad business, the results of which have been experienced by several karaoke producers. 3) Though I agree with your assessment of SC's actions, I have yet to see a reason why Tom, Debi, or Norbert would follow the same course. Though I have yet to be able to be able to reach and speak to Debi or Norbert, and have not yet tried for Tom, I have no evidence that these are the same sort of people as Kurt. For one thing, they must have better managerial skills, as they are still in the karaoke production business. I choose to assume that people are generally decent until proven otherwise. Therefore- at least at this point- I don't believe they would go down the same road as Kurt.
_________________ "No Contests, No Divas, Just A Good Time!"
" Disc based and loving it..."
Last edited by JoeChartreuse on Mon Jul 25, 2011 2:08 pm, edited 1 time in total.
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Sound Choice
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Posted: Sun Jul 24, 2011 7:01 am |
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Novice Poster |
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Joined: Wed Sep 30, 2009 2:44 pm Posts: 12 Been Liked: 7 times
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Murray C wrote: Lone Wolf wrote: What it all boils down to is that the Manu's want you to pay for their permission to shift their logo from the discs that they manufacture to a hard drive and use it.
The audit is to make sure that you actually have the disc to shift it from. I see nothing wrong with that. They sold a product which is perfectly useable in the format it was sold. If a KJ wants to copy that product to enhance their business, then they need the permission of the manu to do so. Why would a manu grant permission to use a copy if they have no way of knowing how that copy was obtained? Quote: And as Joe, (not picking on ya Joe because I agree with you), would say "If they are not going to pay me for my time the forget it." And that is fine. Just don't use copies of their product in your business. Why should the manu have to foot the bill for enhancing your business? If you want to better your business by using copied product, it is your responsibility to gain permission to use those copies. And if you require an audit in order to gain that permission, then it is your business expense, not that of the permission granter. Under your logic, I should be heading to the DMV to put my claim in for compensation for the time I spent getting my drivers licence and car registration! I don't know who you are Murray C (many of the posters I do know despite the use of an Alias), but your explanation and analogy is right on. I couldn't have said it better. We have a lot of costs in doing all this and most of it is to benefit legitimate hosts to help identify and separate you from the illegal ones. And since more and more venues are going to be requiring proof of being legitimate, it might just have to be a "cost of doing business". But certainly one that is easily paid for by being able to charge $25 or $50 more each show because the venue understands that they won't be at risk for being sued. With lawsuit costs of $15,000 or more, it would take them a long time to amortize their $50 a night "savings" by hiring pirates. We understand the desire to have a better working solution for YOUR business (i.e., running off computers from media shifted files), but because we don't yet have a satisfactory solution to identify the pirates who run laptops loaded with illegally obtained files, doing periodic audits verifying that you are 1:1 is the only solution for now. Unfortunately, it is taking a substantial amount of money and resources for us to provide this service to you. The hoped for result is that in areas that we are able to focus on, the combination of suing pirate hosts and venues who continue to hire them (which drives down prices for legitimate hosts and oversaturates the market in an area) as well as having local groups of Legitimate and Certified hosts (whether formal or informal organizations) will make it too difficult for the pirate hosts to operate or infringing venues to continue with Karaoke. We have already seen some evidence of this happening in some areas and we (SC, CB and Stellar and our legal teams) are committed to building on these early success. Sound Choice is not opposed to "trading" audit costs for other helpful services by legitimate hosts after the first audit. And hopefully in key areas where the risk of being a pirate outweighs the advantages of stealing we won't have to do audits very frequently.
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BarryTone
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Posted: Sun Jul 24, 2011 7:24 am |
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Novice Poster |
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Joined: Sat Jul 16, 2011 10:35 am Posts: 26 Been Liked: 0 time
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JoeChartreuse wrote: BarryTone wrote: JoeChartreuse wrote: BarryTone wrote: [Have you ever been in a position where you've had to decide to pull a music production three quarters of the way through its completion due to an approval that didn't come thru as anticipated, because your licensing department just discovered another publisher who doesn't want the song on karaoke? Ah, the old SC predicamicky... The answer, though in other fields ( Electronic Engineering Design) is NO, because I'm simply not DUMB enough to attempt production of IP licensed product until I have the COMPLETED PAPERWORK giving me permission to do so, because VERBAL or HANDSHAKE agreements are not legal, and I KNOW IT. Anyone who doesn't have the business acumen to realize this deserves every single shred of problems that they get.... They produced product without written permission-period. They didn't feel like waiting. Diafel and I agree on something else- the fact that Stellar and CB do not use the same actionable techniques as SC. A plus for those two mfrs. 1) I would never suggest that someone is DUMB as you put it. Ignorant perhaps but never dumb or stupid. People who truly are DUMB or stupid are amazingly capable of making that case all by themselves. 2) Now onto your comments . . . it would appear that you have a perspective on contract law that the rest of us who studied it have not yet been exposed. You see when I studied contract law, parol (oral or verbal agreements) contracts between two or more parties are legally binding with remedies in both law and equity. There are numerous other parts to contract law for sure but this in essence illustrates a perspective different than yours to VERBAL agreements. With that being said, I suspect you are more than capable of applying that thought process to the rest of your comments. Incidentally, I think it would be reasonable to assume that the incentive for both Stellar and CB to be less aggressive than SC might be due to the fact that they are both still releasing new products. 3) I wonder if their techniques would be less “actionable” if they were in a similar position as SC. Just a thought. "It ain't what you don't know that gets you into trouble. It's what you know for sure that just ain't so." ~ Mark Twain 1) You are right, and I would normally never use the word "dumb", nor any of the other agressive negative descriptions- my apologies to all. Two days without sleep ( Private event-bar show-private event-bar show) left me with addled brains. Not an excuse, but an explaination... 2) Maybe I phrased my statement badly. To clarify: A verbal agreement creates no legal proof of it's existance, leaving either party the opportunity to renege at a later date. basing the use of time, energy, and resources to create and market a product on such an agreement is simply bad business, the results of which have been experienced by several karaoke producers. 3) Though I agree with your assessment of SC's actions, I have yet to see a reason why Tom, Debi, or Norbert would follow the same course. Though I have yet to be able to be able to reach and speak to Debi or Norbert, and have not yet tried for Tom, I have no evidence that these are the same sort of people as Kurt. For one thing, they must have better managerial skills, as they are still in the karaoke production business. I choose to assume that peopleare generally decent until proven otherwise. Therefore- at least at this point- I don't believe they would go down the same road as Kurt. No apologies necessary, but nice to see someone on this forum man enough to admit to his error, even if it wasn’t that much an error at all. But getting back to your point, the obvious weakness in verbal contracts is as you mention “practical enforceability” which should be distinguished from “legal enforceability”. We enter and sometimes breech contracts every day, most of which are verbal. Some contracts are of much more serious consequence than others. For example, calling an independent publisher that you have a long established relationship with, and asking if one of your clients can record one of their compositions is really rather common and breeching such a contract is not such a big deal. That’s because when contracts of this nature are breeched it is usually due to a misunderstanding of the terms or what is more common, both parties have forgot what they’ve agreed on. I have yet to see a contract (verbal agreement) of this nature ever result in a lawsuit. These agreements are made “in good faith”, and are resolved between the two parties they then move on. On the other hand breeching a contract (verbal agreement) with your wife or significant other where you’ve agreed to bring home that scrumptious dark chocolate candy bar in exchange for laundering your underwear . . . well need I go any further . . . I’ll take my chances with the publisher thank you. It’s always better to give the benefit of the doubt or as commonly thought of as “innocent until proven guilty”. That applies to all who’ve been accused. In the words of Ben Franklin " it is better one hundred guilty persons should escape than that one innocent person should suffer", which also later came to be known in criminal law as “Blackstone’s Ratio”. But to further make my point, verbal agreements are routinely entered between buyers and sellers in the real business world. Some industries are more prone to that practice than others, but in the music business as well as many other businesses it is not uncommon at all. If entering a written agreement were required for every transaction, it would add too much administrative overhead to the business and they’d never get anything done. However I would be remiss if I did not acknowledge the fact that it is does carry a higher element of risk than does a written agreement, and that there are some agreements that should never be left to a parol contract. Lastly, I wasn’t making an assessment of SC’s actions, or any of the other labels actions for that matter. I was merely commenting on the events themselves as they were described by another poster. Making an assessment of SC’s actions would be the moral equivalent of accusing them of a crime or violation of a civil tort without any evidence of which I personally do not have. I only have hearsay to go by. It’s not that I have any reason to disbelieve what was posted, it’s just that I wouldn’t really make such assessments without having viewed all of the evidence first hand. Whether or not Kurt is an inferior manager I have no way of either confirming or rejecting that notion. I suppose you can make that argument based on the absolute principle that all business failures can ultimately be traced back to management. However based on my own experiences with him, I wouldn’t underestimate him. You may disagree with his policies, but I don’t think he is any less competent, and perhaps he could even be more competent than the others you mentioned.
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c. staley
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Posted: Sun Jul 24, 2011 7:45 am |
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Extreme Poster |
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Joined: Thu Jun 06, 2002 7:26 am Posts: 4839 Location: In your head rent-free Been Liked: 582 times
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Sound Choice wrote: I don't know who you are Murray C (many of the posters I do know despite the use of an Alias), but your explanation and analogy is right on. I couldn't have said it better. We have a lot of costs in doing all this and most of it is to benefit legitimate hosts to help identify and separate you from the illegal ones. And since more and more venues are going to be requiring proof of being legitimate, it might just have to be a "cost of doing business". But certainly one that is easily paid for by being able to charge $25 or $50 more each show because the venue understands that they won't be at risk for being sued. With lawsuit costs of $15,000 or more, it would take them a long time to amortize their $50 a night "savings" by hiring pirates. Venues will also know that they can save $300-$600 dollars per year AND rest assured that they will "understand that they won't be at risk for being sued" if they drop karaoke entertainment altogether. Sound Choice wrote: We understand the desire to have a better working solution for YOUR business (i.e., running off computers from media shifted files), but because we don't yet have a satisfactory solution to identify the pirates who run laptops loaded with illegally obtained files, doing periodic audits verifying that you are 1:1 is the only solution for now. Unfortunately, it is taking a substantial amount of money and resources for us to provide this service to you. And this problem you have with a "working solution" is simply alleviated by suing everyone in order to gather evidence you don't have? That simply sucks as a working solution and you know it. Your actions are actually no different than a copyright troll in my opinion.
Sound Choice wrote: The hoped for result is that in areas that we are able to focus on, the combination of suing pirate hosts and venues who continue to hire them (which drives down prices for legitimate hosts and oversaturates the market in an area) as well as having local groups of Legitimate and Certified hosts (whether formal or informal organizations) will make it too difficult for the pirate hosts to operate or infringing venues to continue with Karaoke. We have already seen some evidence of this happening in some areas and we (SC, CB and Stellar and our legal teams) are committed to building on these early success. "hoped for result?" In my opinion, your only hoped for result is to have a small group of cheerleaders that will send you "sales leads you can sue" to force sales of your outdated product. Many of us on this forum are wondering why --after 2 years-- you have not completed a single suit. We see stalling tactics again and again with no "legitimate" conclusion to a single suit after hundreds have been sued. Playing "hide 'n go seek" with the possibility of having to explain your tactics to a jury really isn't helping your position nor does it strengthen your case with anyone. The name of the artist escapes me but the title "Take The Money And Run" seems somehow more than appropriate. Sound Choice wrote: Sound Choice is not opposed to "trading" audit costs for other helpful services by legitimate hosts after the first audit. And hopefully in key areas where the risk of being a pirate outweighs the advantages of stealing we won't have to do audits very frequently. What "other helpful services" (other than simply purchasing your product) could you possibly be talking about that would be performed by "legitimate hosts?" It must be weekly or monthly "reporting" of venues and other KJ's right? With the exception of a few songs --that are now becoming available via other sources-- your label is no longer a source of ongoing product for KJ's. You're not producing anything but lawsuits for your income and even your KIAA has announced that it will no longer do squat.... because you're focusing on suing people. Did you refund those that purchased "memberships?"
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The Lone Ranger
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Posted: Mon Jul 25, 2011 4:32 am |
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Extreme Plus Poster |
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Joined: Fri Jun 17, 2011 8:22 am Posts: 6103 Been Liked: 634 times
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c. staley wrote: Sound Choice wrote: I don't know who you are Murray C (many of the posters I do know despite the use of an Alias), but your explanation and analogy is right on. I couldn't have said it better. We have a lot of costs in doing all this and most of it is to benefit legitimate hosts to help identify and separate you from the illegal ones. And since more and more venues are going to be requiring proof of being legitimate, it might just have to be a "cost of doing business". But certainly one that is easily paid for by being able to charge $25 or $50 more each show because the venue understands that they won't be at risk for being sued. With lawsuit costs of $15,000 or more, it would take them a long time to amortize their $50 a night "savings" by hiring pirates. Venues will also know that they can save $300-$600 dollars per year AND rest assured that they will "understand that they won't be at risk for being sued" if they drop karaoke entertainment altogether. Sound Choice wrote: We understand the desire to have a better working solution for YOUR business (i.e., running off computers from media shifted files), but because we don't yet have a satisfactory solution to identify the pirates who run laptops loaded with illegally obtained files, doing periodic audits verifying that you are 1:1 is the only solution for now. Unfortunately, it is taking a substantial amount of money and resources for us to provide this service to you. And this problem you have with a "working solution" is simply alleviated by suing everyone in order to gather evidence you don't have? That simply sucks as a working solution and you know it. Your actions are actually no different than a copyright troll in my opinion.
Sound Choice wrote: The hoped for result is that in areas that we are able to focus on, the combination of suing pirate hosts and venues who continue to hire them (which drives down prices for legitimate hosts and oversaturates the market in an area) as well as having local groups of Legitimate and Certified hosts (whether formal or informal organizations) will make it too difficult for the pirate hosts to operate or infringing venues to continue with Karaoke. We have already seen some evidence of this happening in some areas and we (SC, CB and Stellar and our legal teams) are committed to building on these early success. "hoped for result?" In my opinion, your only hoped for result is to have a small group of cheerleaders that will send you "sales leads you can sue" to force sales of your outdated product. Many of us on this forum are wondering why --after 2 years-- you have not completed a single suit. We see stalling tactics again and again with no "legitimate" conclusion to a single suit after hundreds have been sued. Playing "hide 'n go seek" with the possibility of having to explain your tactics to a jury really isn't helping your position nor does it strengthen your case with anyone. The name of the artist escapes me but the title "Take The Money And Run" seems somehow more than appropriate. Sound Choice wrote: Sound Choice is not opposed to "trading" audit costs for other helpful services by legitimate hosts after the first audit. And hopefully in key areas where the risk of being a pirate outweighs the advantages of stealing we won't have to do audits very frequently. What "other helpful services" (other than simply purchasing your product) could you possibly be talking about that would be performed by "legitimate hosts?" It must be weekly or monthly "reporting" of venues and other KJ's right? With the exception of a few songs --that are now becoming available via other sources-- your label is no longer a source of ongoing product for KJ's. You're not producing anything but lawsuits for your income and even your KIAA has announced that it will no longer do squat.... because you're focusing on suing people. Did you refund those that purchased "memberships?" If you really want to kill the beast all you have to do is starve it, once there last remaining sources of revenues dry up Sound Choice will cease to be a problem. If they continue with there current business mode, I can see where the last few venues will drop karaoke all together, then everyone will be out of a job. The industry will really be done for, and we can all talk about the good old days, at the old host home.
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