Miss Milo wrote:
I positively LOVE songs that feature great harmonies.
What's a doubler?
First in reference to this, I think it was Phil Silverstein (rock and roll buffs) the infamous sound mixer for the Beatles who really started using a lot of new recording tricks. Not sure if chorusing was called that in those days, since even the melatron on Lucy in the Sky was a first time thing in history I think, but John Lennon as I said, refused to use it and double tracked a lot of his vocals.
I haven't done a ton of research on this but my misnomer is called a Chorus Acoustic Duet in Cool Edit. It lays your own voice on top of itself to give it an extra fullness with out the cave effect of 50s reverb.
I strongly suspect if you hear Phil Collins singing in the shower, he would sound very different and that this doubling has given him his classic kind of wide voice sound. It is so subtle if set correctly it doesn't sound like two people singing togther, and to me it is the equivalent of a ringing harmony on a single note.
More than you ever wanted to know probably. But on some recordings this can really pump up a voice that is a little weak in parts and put in a fullness not anatomically possible with normal human vocal chords.
It is to the voice (to me) what the phase shifter was to the guitar. I mean you can only use a fuzz box for so long, and Peter Frampton's wah wah pedal and "Do you feel like I do" vocal wah, had to be replaced by some more sophisticated guitar or vocal tweaks.
Little off topic here, but with the coming of Digital, something had to be done to "cheat a little" to make a voice sound better, but echo was kinda of prehistoric in a DVD world.
Try it sometime. Just grab Cool edit, do a vocal acapella track, and then run the chorus on it. Better yet do a few harmony tracks, put the chorus on those, and you will get this very interesting haunting harmony thing.
(special note to Miss Milo. I have listened to your tracks and you are a natural, so with a smidge of reverb your voice doesn't need any tweaking at all.)
Of course, be careful not to pull all the instruments in as well, because then you wind up having a chorused drum set or bass and you begin to wander into Moody Blues territory where you are on the edge of "over production" of a recording.
Silence is a BIG part of music. Ramble, ramble. Oh the topic was harmony - well actually my "doubler" Thought it worthy of a comment.
jvj